A Quote by Moshe Safdie
I think you need to, as an architect, understand the essence of a place and create a building that feels like it resonates with the culture of a place. So my buildings in India or in Kansas City or in Arkansas or in Singapore, they come out different because the places are so different.
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People create from different places. Some love to create from a tortured place, some from a joyful place. And when I feel like I'm a 5-year-old kid in my backyard playing pretend, that's when I'm happiest.
Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
It is not possible to design always the same. How to be different in each different place - that is the most important work and duty of the architect to find out.
Like every other place, I guess, Kansas City was quite a different city when I was a youngster there. They had quite a few clubs, and we had what we used to call jam sessions every night.
I come from a rare place. It's a different culture, different atmosphere, police crooked. Different emojis, and when I say emojis, I mean personalities.
There's something refreshing about going to work with a different group of dancers. There are different ways of moving, different ways in which the institution functions. There's a contrast from place to place, so the variety and the experience of working in a different place feeds me.
I had come to a place where I was meant to be. I don't mean anything so prosaic as a sense of coming home. This was different, very different. It was like arriving at a place much safer than home.
I've always just felt a little out of place. I still feel out of place in San Francisco. It's this place where everything is going great, and everyone feels super optimistic about the world. It's a little different about how I grew up.
Unfortunately, we are not painters and authors, where we can do something in isolation. We require a lot of money to create what we create. It's almost like being an architect: You can't be an architect and build whatever buildings you want to.
I realize that having a style would be very beneficial for my practice from a marketing standpoint, but I can't do it. I believe my responsibilities as an architect are to design the most appropriate building for the place. Each place has a distinct culture and function, which for me requires an appropriate answer.
Obviously in the Senate we have all types of different people, all kinds of different folks that have come from all types of different backgrounds - and I think that’s part of that sense of entitlement that he gives off is that, almost like, I served my country, let me into the Senate. But that’s not how it works in Arkansas.
I'll probably always opt for makeup because I just like the way it feels. You can play with it and create different looks, and I think that's fun. But I also want the option to not need it.
Every teenager in the world feels like that, feels broken or out of place, different somehow, royalty mistakenly born into a family of peasants. The difference in your case is that it's true.
Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.
Realistically, my favorite thing really is going out and seeing the different problems that people have in different geographical areas. Not just from a standpoint of the area that they may be in or the city they may be in but the different kind of car culture or motorcycle culture there is.
When I arrived in Manchester for the first time, it took me five seconds to realize that it was a very different place than where I come from. It is cold, yes, but people also do things very differently than we do in Nigeria. The culture was different, and everything looked different.
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