A Quote by Moss Hart

There's nothing the matter with Hollywood that a good earthquake couldn't cure. — © Moss Hart
There's nothing the matter with Hollywood that a good earthquake couldn't cure.
In the middle of my third Hollywood picture The Magician, the earthquake hit Hollywood. Not the real earthquake. Just the talkies.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Cruelty is no more the cure of crimes than it is the cure of sufferings; compassion, in the first instance, is good for both; I have known it to bring compunction when nothing else would.
As I write, there is a craze for what is called psychoanalysis, or the cure of diseases by explaining to the patient what is the matter with him: an excellent plan if you happen to know what is the matter with him, especially when the explanation is that there is nothing the matter with him.
Hollywood is a very small world; the people who matter matter, and the people who don't matter are just like nothing.
Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter — you’re the one who sat down, and joined the game.
There was nothing a good adventure couldn't cure.
I was awakened by a tremendous earthquake, and though I hadn ever before enjoyed a storm of this sort, the strange thrilling motion could not be mistaken, and I ran out of my cabin, both glad and frightened, shouting, "A noble earthquake! A noble earthquake" feeling sure I was going to learn something.
The difference is that with Ebola, it is such a devastating disease, and there is still no cure. They're still working on vaccines. The fact of the matter with polio, there is a cure; there is a vaccine.
There is this split between the Haiti of before the earthquake and the Haiti of after the earthquake. So when I'm writing anything set in Haiti now, whether fiction or nonfiction, always in the back of my mind is how people, including some of my own family members, have been affected not just by history and by the present but also by the earthquake.
Considered purely as effects-driven filmed drama, 'The Day After Tomorrow' checks in somewhere in the middle of one of Hollywood's most absurd and least lamented dead genres, the disaster pic of the '70s. It's a little better than 'Earthquake' but not as good as 'The Towering Inferno,' because it doesn't star Steve McQueen and Paul Newman.
The impact of the earthquake on mental health was huge and unimaginably deep in people's lives. Some lost all benchmarks and references because of their great loss, we still have people coming to clinics with mental health problems related to the earthquake. They talk about the earthquake, about being under the rubble.
My dream was to play in good films, no matter in what country. I always waited for a decent script, and nothing has changed. I'm just sure that nothing in life is random, and I believe in the fate which guides you. Probably my starring in 'A Good Day to Die Hard' is good proof of that.
He: What’s the matter with you? Me: Nothing. Nothing was slowly clotting my arteries. Nothing slowly numbing my soul. Caught by nothing, saying nothing, nothingness becomes me. When I am nothing they will say surprised in the way that they are forever surprised, "but there was nothing the matter with her.
There is nothing permanent except change. [Therefore enjoy what good you have while you have it and endure and outlast what bad you can't cure immediately]
I have sought you out to cure me.' 'To cure you of what?' 'Of this cursed affliction.' 'I cannot cure stupidity.' Scapegrace frowned.
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