A Quote by Mother Teresa
One thing I ask you to do, you people who have
the pen in your hand, allow God to use you so that you never write
anything that will destroy, that will hurt, but always take the trouble
to write something beautiful, to help the people to see better, to love
better, to come closer... to each other.
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If a writer is so cautious that he never writes anything that cannot be criticized, he will never be able to write anything that can be read. If you want to help other people you have got to make up your mind to write things that some men will condemn.
I love revising things, because you see how you can get the language to get closer to intention. You know there are three ways to say X thing, but one will say it better than the other two. And in saying it better, it gets you closer to something.
I could be on 52nd and Third in Manhattan up and ask a strange for directions and they will help you, that's a rural heart. Your car breaks down in the middle of Iowa or somewhere, or Tennessee where I'm from, people want to help each other. Given each opportunity, you see how people come together.
A letter is always better than a phone call. People write things in letters they would never say in person. They permit themselves to write down feelings and observations using emotional syntax far more intimate and powerful than speech will allow.
I'm an optimistic guy.It's just as much the case that people will come to me and ask my opinion about how to properly include the Muslim community, as it is that people will come with some hateful stuff too. When people come to me about my religion, it's not always a thing of "we don't want people like you here," which happens sometimes. But mostly it's people who would like to know more. I get a chance to help people understand the religion better.
I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.
The Nobel Prize is the best thing that can happen to a writer in terms of how it affects your contracts, the publishers, and the seriousness with which your work is taken. On the other hand, it does interfere with your private life, or it can if you let it, and it has zero effect on the writing. It doesn't help you write better and if you let it, it will intimidate you about future projects.
Write and people will come to read. Write and people will heed to your words and share them with others. Not all may relate, but wait, and those that were meant to see it eventually will find it, for truth waits to be found. It searches for no one.
First, consider the pen you write with. It should be a fast-writing pen because your thoughts are always much faster than your hand. You don't want to slow up your hand even more with a slow pen. A ballpoint, a pencil, a felt tip, for sure, are slow. Go to a stationery store and see what feels good to you. Try out different kinds. Don't get too fancy and expensive. I mostly use a cheap Sheaffer fountain pen, about $1.95.... You want to be able to feel the connection and texture of the pen on paper.
You will write if you will write without thinking of the result in terms of a result, but think of the writing in terms of discovery, which is to say that creation must take place between the pen and the paper, not before in a thought or afterwards in a recasting... It will come if it is there and if you will let it come.
I got to take classes in writing with a fountain pen, and actually, something you make is your own textbook. So, while you're learning about something, you have to write essays on it, and then you handwrite in cursive, in fountain pen, your essays out on beautiful paper and you bind it together into a book that you hand in at the end of the course.
The director's who want to be innovative use the DVD as a tool to see what people have done in the past and you have other people who will actually take from better directors and that makes them better directors.
Whenever I write, I write what I find to be the way people are. I never use any symbolism at all, but if you write as true to life as you possibly can, people will see symbolism. They'll all see different symbolism, but they're apt to because you can see it in life.
Some of us are taught to ask for help. Some of us don't feel comfortable asking for help. Some of us will get into trouble because we don't want to share things with adults - maybe because we're used to getting in trouble. I have two daughters, and they're very different from each other. One will tell me everything. The other barely tells me anything at all. Who do I worry about the most? I worry about the quiet one. But it's something I wish I had had when I was a child, that feeling of having someone I could ask for help.
How you ask for help is secondary to the fact that you ask for help. Some people say, "I am going to command God for help." Some people say, "I want to affirm that God help." Other people prefer prayers of supplication, in which they implore, "Please, God, help me." It all works. It doesn't matter whether you say the prayer out loud, think it, yell it, scream it, write it, sing it - it's all the same.
Better that you should take the chance of trying something that is close to your heart, you think is what you want to write, and if they do not publish it, put it in your drawer. But maybe another day will come and you will find a place to put that.
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