A Quote by Mr. T

I didn't watch 'The A-Team' movie. I'm an artist. You can't re-paint a Rembrandt. You can't duplicate that; I don't care who you get. — © Mr. T
I didn't watch 'The A-Team' movie. I'm an artist. You can't re-paint a Rembrandt. You can't duplicate that; I don't care who you get.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
I wanted to paint in a folk-artist-y way. My heroes were Van Gogh, Gauguin, Matisse, and Rembrandt. I think Picasso is about as a modern as I got. But I incorporated things that they rejected as well as movements that happened later.
I'm my own artist, and I see artists as movies. No one should try to change them for anything. If you don't like it, you just don't follow it. And if you don't like a movie you don't watch it. Watch another movie.
If you're drawing a Western town, you can duplicate that Western town from instinct alone. Some artists may take it from other illustrations or duplicate what you've drawn, but it will never have that gut reality that's instinctive in the artist.
A way you can get really good abs in film is you get your makeup artist to paint shadows - faux washboard. But if you see me in a movie and I have great abs, it means I have a great body double.
I've been asked often what is the difference between an amateur and a professional artist, and I will tell you. An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
In regards to The Haunting, people compared it to the old movie, which is unfair. We didn't have the rights to the movie. I couldn't duplicate a single thing because that would have been legal infringement.
Art is not made only one way, art is a point of view? Rembrandt in our days would be Rembrandt again, because the work of the master is his self. But in order to be Rembrandt in ourdayshe would have used new ways that would give a new culture.
When you go to a movie, you don't care for one Oscar, really. Do you care if a guy got a Oscar on the shelf or is it a good movie? And, you don't care how much the movie made.
You can simulate perfection, but it's not the same. Some one can do a copy of Rembrandt, but it's not a Rembrandt. It doesn't have the vibration or the power.
A lot of people don't watch cinema. They can't afford movie tickets, they can't go to theatres to watch cinema, they are not on social media. How do you reach out to those people as an artist?
I'm always a little starstruck anyway. So to work with a movie star, which is Brad, I was excited about that; to work with a movie legend, which is Tony, I wouldn't have passed that up. Just to get to watch him and watch how he works.
I can't complain about anything. It's like saying, "I don't like talkies." Time marches on and I don't care how people watch my movies as long as they see them. I don't care if they're on their phone. Believe me, if you ever want to watch my early films they would look a lot better on your phone than they would on a movie screen. The smaller the better.
It's very hard to watch your team and not be there, but it's also cool in a different way. You get to watch them from a different perspective and you see everything and you get to analyze the game.
Growing up in South Jersey, I have always been an Eagles fan. I don't paint my face or anything like that, but I deeply care about the team.
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