A Quote by Mrunal Thakur
When you perform in your first film, it adds a lot to your career graph. The journey becomes easy.
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I was clear about the fact that my first film should be 'big,' since it's the start of your whole career graph.
Facebook is the social graph with the organizing principle around your friends and your social life. LinkedIn is the professional graph, organized around you, your job, your industry, your title and your function. At Chegg, we are building a student graph centered around you, as a student.
If Facebook gets your entire social graph, you don't necessarily want to share everything with your entire social graph. You might wanna parse that social graph. So there's a company called PASS that is a private social network that I personally use for my friends and my family.
You don't really know how your film is going to turn out, but you can give it your best shot and hope the audience loves it. This has been my approach right from the beginning, and it's helped me a lot in my journey. All you can do is give the film your everything.
And yet, winning is like a welcome drink going down your throat, like a beautiful embrace. It is brilliant while it lasts but it isn't forever. The high eventually melts away and the journey of life begins afresh. The truly remarkable among us visit these highs periodically; winning then becomes a journey, a graph where each point is crucial but is in reality merely part of a larger curve.
With your first film, you can make mistakes, but your second and third movies map out your career.
Treat your career as a business. Invest your earnings into good tools that can enhance your business. Film businesses are the same as non-film businesses. Ploughing part of your earnings back into your filmmaking business would grow career exponentially.
As I talk to film students now especially, I say, "The easiest job you'll ever get is to try to make your first film." That's the easy one to get, is the first film because nobody knows whether you can make a film or not.
Life is your art. An open, aware heart is your camera. A oneness with your world is your film. Your bright eyes and easy smile is your museum.
One cannot forget that show business also deals with humans. Everything is not so superficial that this is rigged or planned. Sometimes people do fall in love with each other because they spend a lot of time on the sets so much so the set becomes your first home, and your actual home becomes your second home.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
What people see is just your career graph and the films you do. But that's a very small aspect of my life.
It's not going to be easy. It's the earth. What creates power in your life is when you perfect your mind, your career, and your associations with others.
If you're an artist, it's OK to put your money into your art. The advantage, in hindsight, is that you become the film, and the film becomes you; you breathe it.
The sad news is, nobody owes you a career. Your career is literally your business. You own it as a sole proprietor. You have one employee: yourself. You need to accept ownership of your career, your skills and the timing of your moves.
Making an independent documentary film is so hard that usually, the usual model is that your film becomes a model for advocacy, so you can enlist that support group and get as much juice out of your film as possible. That's just practically, financially, what you need to do.
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