A Quote by Mstislav Rostropovich

You must play for the love of music. Perfect technique is not as important as making music from the heart. — © Mstislav Rostropovich
You must play for the love of music. Perfect technique is not as important as making music from the heart.
What is Music? How do you define it? Music is a calm moonlit night, the rustle of leaves in Summer. Music is the far off peal of bells at dusk! Music comes straight from the heart and talks only to the heart: it is Love! Music is the Sister of Poetry and her Mother is sorrow!
I think the most important thing is that I'm making music that the people enjoy. So the fans, the people that are out there listening to music and consuming music, I want them to enjoy it and love it. And so that's more important to me than Grammys.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
I love making music, and I love touring. I love that I get to wake up and play music. I don't like being away from my wife and kids.
We're guys that like to make fun music, music that people like. And I think, for us, it's just important to always keep your mind in the right place and always keep your heart in the place of making music that you love.
I love to play my music. That's what my heart wants me to do is to play music, and I love doing that when I got my band and my crew and all those folks with me, and that whole thing cranks up; it's really something to enjoy.
Music is a spiritual thing, you don't play with music. If you play with music you will die young. You see, because when the higher forces give you the gift of music...musicians hip, it must be well used for the gift of humanity.
I am playing the music I love and I really play it from my heart, and whatever the out form is - it doesn't matter whether it's art or music.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
The artist must forget the audience, forget the critics, forget the technique, forget everything but love for the music. Then, the music speaks through the performance, and the performer and the listener will walk together with the soul of the composer, and with God.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.
I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
I love all Yes music and love to play it live, but I'm most interested in making new music with Yes.
I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.
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