A Quote by Mstislav Rostropovich
Explain to me, please, why in our literature and art so often people absolutely incompetent in this field have the final word.
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In a country like Pakistan where is politics is often an art form of the elite, and it's often very dynastic, it's hard to explain to people why I don't think it's a birthright.
A people may become great through many means, but there is only one measure by which its greatness is recognized and acknowledged. The final measure of the greatness of all peoples is the amount and standard of the literature and art they have produced.... No people that has produced great literature and art has ever been looked upon by the world as distinctly inferior.
Everyone wants to understand art. Why not try to understand the song of a bird? Why does one love the night, flowers, everything around one, without trying to understand them? But in the case of a painting people have to understand. If only they would realize above all that an artist works of necessity, that he himself is only a trifling bit of the world, and that no more importance should be attached to him than to plenty of other things which please us in the world, though we can't explain them. People who try to explain pictures are usually barking up the wrong tree.
I had to talk for a long time to explain to the producer why I wasn't right for 'Please Don't Eat the Daisies.' I also had to explain why I didn't want to do 'My Living Doll' before Robert Cummings was considered for the role.
Artists tend to be people of strong character and opinion. Often they are dismissed in our culture if they don't fit a certain mainstream media mold. It's a reason why filmmakers are now releasing films online. Art, in any form can invoke various emotions and actions. I think some can be frightened of the power that a simple image can invoke and that's why they tend to shy away from it. But art documents moments in our history and that image is often what many people remember of a certain time.
Clearly, unless the Lord chooses to explain Himself to us, which often He does not, His motivation and purposes are beyond the reach of mortal man. What this means in practical terms is that many of our questions - especially those that begin with the word 'why' - will have to remain unanswered for the time being.
Nobody wants to hear about process. They want to hear about results. They want to be inspired. They want to aspire to something. And so often in our communication, we will explain why - sorry, we will explain how but not why.
The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good.
Whether you interpret the Bible as literature or as the final word of whatever God may be, Christianity has given us an image of death and sexuality that we have based our culture around. A half-naked dead man hangs in most homes and around our necks, and we have just taken that for granted all of our lives.
We with my husband [Joseph Millar] are often the first reader for one another's work, and we often also have the last word. We trust each other. We have our past working life in common, our recombined families, as well as our life as teachers, and we read much of the same literature and have similar esthetics, so there's a simpatico there. But we do disagree and that can be fruitful, even if it's not so great in the moment.
The use of literature is to afford us a platform whence we may command a view of our present life, a purchase by which we may move it....we see literature best from the midst of wild nature, or from the din of affairs, or from a high religion. The field cannot be well seen from within the field.
Why should I need an artist to explain a work of art to me? Why should it not speak out to me itself?
You lose nothing by being polite. The answer is 'No', but please say it politely and give the reasons. ... Explain to me why 'No'. Don't change 'No' to 'Yes'. Don't be a fool. If there was a good reason why it is 'No', it must remain 'No', but the man must be told politely.
Every time we give our word, it counts. For the most part, people give their word entirely too often. Our word is a precious commodity and should be treated as such.
When people see one of these new forms of art for the first time, often they can't make sense of it. Then, if it's around long enough, a lot of people get used to it and it becomes assimilated into culture. So there's a morphic field both for the kind of art and for the appreciation of it.
Art is a habit-forming drug. Art has absolutely no existence as veracity, as truth. People always speak of it with this great, religious reverence, but why should it be so revered?
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