A Quote by Muddy Waters
I was always singing the way I felt, and maybe I didn't exactly know it, but I just didn't like the way things were down there-in Mississippi.
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As human beings we have this immediate gateway - you’ve just to articulate exactly the way that you’re exiled, exactly the way that you don’t belong, exactly the way that you can’t love, exactly the way that you can’t move ... and you’re on your way again. You’re on your way home. If you can just say exactly the way that you’re imprisoned - the door swings open.
I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
I've always felt a little different than everyone - you know, most of the other kids in my class - and I didn't quite see things the way they did or I didn't experience things the same way they did. I often felt a little bit like an outcast.
'The Vow,' I didn't know if people were going to want to see it, but we felt good about it. We we're like, 'Alright, either way, I liked the movie for what it was,' and I think we knew exactly what we were trying to do.
I ran to Rachel [Comey]'s show and on the way I found a potted tree - an umbrella tree - on the street. I always think things are going to be way more intimate than they are and there aren't going to be a lot of people around. I don't know why I think this. I'm always shocked at what a hoopla things are. They were like, 'Hurry up.' So I put the tree down and I see Rachel and she's like, 'Hurry up, sit down.'
Anybody who sits down to write, and they think 'thriller,' maybe shouldn't be thinking that way. Maybe we should be thinking 'novel,' maybe 'thriller' way in the background, but that these are real people to whom things are happening. It just happens to be a hell of an exciting story.
I do have a way of playing piano where it's very melodic and emotional, but then often it's great if whoever's singing doesn't sing exactly what's in the piano melody, but maybe it's connected in some way.
There was things just like not being able to date or - I'm talking like 15, 16 - like just certain things that my friends started to do. Like, they started to get phone calls from girls or like, you know, go and hang out 10, 11 at night, kind of going to the movies. There were just certain things that - it's not that I couldn't do all of those things. It's just that every choice was really deliberate and conscious and thought out and sort of balanced against the religion in a way where I felt - I wasn't necessarily trying to convert at 12 like [my mother] was.
They belonged to each other totally, and always would, and that was that. But maybe everyone felt that way? Until the moment they realized they were just like everyone else, and everything they'd thought was real shattered apart.
I was down after divorce - I was all the way down. And I just felt like, "God, I gotta turn this around. I can't go down like this. I have to know that this is happening for a reason." And I knew that I had to turn to music.
I always felt like I was kind of an outsider because I didn't have the right things. I didn't have a Cadillac. I didn't have, you know, plastic on my furniture. That was the right way to be if you were Italian.
Once, when Tom was over here, to tease Rose, I asked him, "Before she was born, can you remember? Were things just the same as they are these days? Did it still rain and get dark and all the stuff it does now? Did the sun go up and down in exactly the same way?" Yes," Tom said, and then he smiled at Rose and said, "No. Not really. Not exactly the same way.
I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.
I just always felt whole when I was writing. I felt this kind of beautiful privacy that I never felt in any other way. I feel like there's this great fullness to being alone, and writing is a really vivid way and a really magical way of being alone.
I know if I told you what God looked like and felt like then I'd be telling you a story. I just think we don't know. God manifests himself, herself or itself in a way that we need it, in a way that we can grab a hold of and a way that we can put our arms around.
Those people that don't see the power in art maybe have never been a part of an art, in a real way. To experience it, and to see and witness how it affects people, we're not doing it just to create professionals. It's to add another dimension to the way that children think and the way they experience certain things. If you didn't have dance, music and singing, it just seems so odd to me.
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