A Quote by Muggsy Bogues

Speed was one of the criteria for me - one of my strengths. But I had to use them all... everything I had. — © Muggsy Bogues
Speed was one of the criteria for me - one of my strengths. But I had to use them all... everything I had.
Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting but use painting as a means to photography.
What makes a good leadoff hitter? Deion Sanders had speed, but he wasn't the ideal leadoff hitter. What was his on-base percentage? The criteria shouldn't be speed, it should be getting on base.
To me, the whole thing with the roots of rap music was when the DJ had to supply all the music for the group with two turntables. And the whole criteria of what that DJ would use had nothing to do with what type of band made a record.
Bobby Orr had lots of moves and speed. You had to be careful or he would make you look like a fool. Jacques was impresed how quickly he caught up to Yvan Cournoyer one night when the Habs were playing the Bruins. I didn't think the kid had that kind of speed.
Our ancestors had displayed great strengths in space science. What people like Aryabhata had said centuries ago are being recognised by science today. We are a country which had these capabilities. We need to regain them.
I think the advantage we had with "MacGruber" is the speed we had to put it together. We had a such a short period to write the movie and such a post-[production] period, it was almost like the way that the show worked, where everything is happening so fast you have to go with your gut.
I have to use my strengths, which [are] my speed, my quickness and my movements. If I do that, I really believe that I will come out on top.
Out of all the climbers of this generation, I was the one who became known to the larger public. Many of them - not all of them, but many of them - understood they had only one chance to use me for their personal gain. And it's very easy to use me.
I realized that I had things in my head not like what I had been taught - not like what I had seen - shapes and ideas so familiar to me that it hadn't occurred to me to put them down. I decided to stop painting, to put away everything I had done, and to start to say the things that were my own.
When I saw the 2010 Games and speed skating, I had a change of heart. I had always dreamed of being an Olympian, and something clicked inside of me. I knew I had to move to Salt Lake City and make this dream a reality.
I was experimenting with ways of creating edible objects from digital content, and I was working to three criteria: 1. They had to be delicious. 2. They had to be personalized. 3. They had to fit through a letterbox or in a mailbox. After much experiments, Boomf! There it was: photo marshmallows.
I have to have everything. I have to have iPads. I've had I think every generation of iPod. I've had all the consoles at least once; I've had some of them twice. I get them and get fed up with them and get rid of them.
The immaterial blue colour shown at Iris Clert's in April had in short made me inhuman, had excluded me from the world of tangible reality; I was an extreme element of society who lived in space and who had no means of coming back to earth. Jean Tinguely saw me in space and signaled to me in speed to show me the last machine to take to return to the ephemerality of material life.
Back in my day in the WWF oh.. the WW EEEEE, we had it all. We had Garbage men, we had clowns, we had them all. But we had one thing that was real, and that was me
I've obviously used fans - I wouldn't say all my life, because we couldn't afford them when I was young, but from my 20s and onwards we've had to use fans. And I've always loathed them. Everything about them. The way you adjust them, getting them at the angle you want. Carrying them. Cleaning them. The danger of putting your finger in them.
It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.
This site uses cookies to ensure you get the best experience. More info...
Got it!