When I agreed to play Ravana, I only had one condition that I get to modify the dialogues. One has to maintain the purity of the text, but the dramatization and the emotion behind it can be toyed with.
People think it is such an easy life, and you just go get ready, and someone does your hair and make up, and all you have to do is say a few dialogues. But there is lot more behind it. You are getting into a particular frame of mind to get into a scene; you have to get your emotion right.
Ravana was a rakshasa but this rakshasi of untouchability is even more terrible than Ravana.
The only direction I can give to an actor, a good actor who knows his skills, is, 'Here are those words. They're yours. Make them yours. Don't tell the text but be the text.' That means you have to be the emotion of the text.
A play called 'Bichchu' with Om Puri in the main role was going to be staged and I was working backstage. An actor failed to turn up for rehearsals and the director asked me to do that role instead. I agreed and would go to the beach to rehearse my dialogues as I had no place to stay those days.
I always stress condition with my basketball players. I don’t mean physical condition only. You cannot attain and maintain physical condition unless you are morally and mentally conditioned.
I feel like a goddess, jailed in her Olympus. Little wonder how the gods toyed with humans. Toyed with women, to watch them squirm, pollinate the seeds of despair; toyed with men, to satiate their Seven Deadly Sins.
I never did any acting in school. There was only one play in which I participated and it had no dialogues for me.
Being an actor, and a villain for various movies, I've played all parts of Ravana's persona already. But as familiar as all these parts of it may seem, playing Ravana is a different ball game altogether.
I agreed on condition that we found a completely new concept that had nothing to do with the latest books.
Not only is health a normal condition, but it is our duty not only to attain it but to maintain it.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
He was seriously thinking of becoming a monk. He thought he had to be celibate to maintain the purity of his instrument, but my instrument needed tuning, and we had to split.
I can look into someone's eyes and feel like I know her better, versus a phone call, where you can't get that same type of emotion. That's why text messaging gets you in trouble: You can't bond, and emoticons explain only so much.
I had the chance to play with Benny 'The King' Carter here in Copenhagen for three days in the Montmartre, and two days in Paris. 'What a Thrill.' He knows so much music, and he is the only person that I get the shakes trying to play my horn behind or with him (smile). However, it was a ball.
Dialogues and emotion based movies don't always work.
I was always interested in Ravana, for he had his own ways. He had a great respect and was God-fearing.