A Quote by Mukesh Rishi
We, at one point, had such great villains with shades of grey and a compelling story around them. But Bollywood did see a decline when villains were nothing but aimless goons who had no real purpose to them.
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Namor has shades of grey but always ends up doing the right thing. I've played characters with an edge - played villains if not super villains - and he's an anti-hero.
It's a movie, OK? I went to see GONE WITH THE WIND, but did I really believe there was a guy named Rhett Butler who said, "Frankly, my dear, I don't give a damn"? No. Movies need heroes and villains, and real life doesn't usually have heroes and villains. Real life has a lot of shades of gray, and moves have black and white even when they're in color.
Villains are fun. I think the important thing in playing them is that they don't see themselves as villains. It lets you be a little more expansive.
The thing about villains is that villains always have their own logic, and they don't necessarily see themselves as villains. Richelieu is not a villain, in his own mind. He's doing what he needs to do.
Shakespeare's villains are fabulous because none of them know that they are villains. Well, sometimes they do.
Superman, when he's fighting you, isn't like Batman. He also isn't like Spider-man, who will bully you and make fun of his villains. Why do you think Spider-man's villains all hate him so much? Maybe because as he breaks their bones he's mocking them! Batman's villains are all insane! Superman, when he goes after someone, is essentially not trying to beat them. He's trying to save them from themselves.
Actors endow the villain in fiction with a warmth and quality that makes them memorable. I think we like fictional villains because they're the Mr. Hyde of our own dreams. I've met a few real villains in my time, and they weren't the least bit sympathetic.
Villains often more the story along while the heros react to the villains, so the villain becomes the engine of the story.
The specific influences on villains to me is, I love the villains who are really hyper-smart. When at the end of the movie you find out what they were about, and it makes absolutely perfect sense from their point of view.
'Forever Evil' is my love letter to DC super villains. It's my chance to take all of the villains I've worked with and all the ones I've never worked with and put them into one gigantic, epic story that will bring together the bads of the DC Universe.
I've played a lot of villains. The villains are always fun because you can just go fractionally bigger than life. It's always a grey area because you don't want to end up mustache-twirling and making them a little false, but you always get to play a little more, whereas the lead guy has to be a little more straight.
People are much more complicated in real life, but my characters are as subtle and nuanced as I can make them. But if you say my characters are too black and white, you've missed the point. Villains are meant to be black-hearted in popular novels. If you say I have a grey-hearted villain, then I've failed.
I think Shakespeare really got it. He was the first one to introduce psychology to villains and give them a real point of view.
I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
Once I gave up the hunt for villains, I had little recourse but to take responsibility for my choices.... Needless to say, this is far less satisfying that nailing villains. It also turned out to be more healing in the end.
Admit that the press transferred the pontificate of Rome to Henry VIII-Admit that the press demolished in some sort the feudal system, and set the serfs and villains free; admit that the press demolished the monasteries, nunneries, and religious houses; into whose hands did all these alienated baronies, monasteries, and religious houses and lands fall? Into the hands of the democracy? Into the hands of serfs and villains? Serfs and villains were the only real democracy in those time. No. They fell into the hands of other aristocrats. . . .
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