A Quote by Mumia Abu-Jamal
Very few people in prison have voices that go beyond the wall. It's my job to do the work for them because they have no one.
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I went back to work right away [after prison]. I was very lucky — a friend of mine created a job for me at his company. Most prisoners who come home face really significant challenges when it comes to finding work. It’s very, very hard for most people who have a criminal record to get a job. I think the system is very wasteful of taxpayers’ dollars. It’s also very wasteful of human potential. I found that most people whom I was locked up with were, you know, good people who have skills and value. Prison is a missed opportunity to nurture those things.
Most men in a brazen prison live, Where, in the sun's hot eye, With heads bent o'er their toil, they languidly Their lives to some unmeaning taskwork give, Dreaming of nought beyond their prison-wall.
I try to frighten my very young colleagues into studying and understanding their voices before they attempt things that are beyond them. It's wise to take gymnastics and swimming to strengthen the body, because people don't realise what an athletic undertaking singing actually is.
You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes - the wall, the wall!
Some of the folks we see are in for defending themselves against their abusers, or drug charges that, because of the California state prison system, they have mandatory sentencing and life in prison for three counts of simple drug possession, or whatever. I find it not only helpful but, I think, necessary in maintaining my grounding and my perspective. Because music is such an unrealistic job to have. It's a really lucky job to have, but it's also very unrealistic.
Even talking about change can be threatening to entrenched interests...Careers in the Pentagon, the board room, or the halls of Congress are not advanced by creating the disruptions that go with real change, so there are very few voices willing to speak up for the future and move beyond rhetoric to make serious choices.
Some people are like a defeated warrior: they accept the defeat, go to work, go back home, watch TV silently. That is like a prison. You can have a life sentence in prison and it's the same in cities.
There's a lot of magic in voices. I love voices that are very old, very gravelly, very deep. I like metallic voices; I like velvety voices. The voices of children.
I think it's important to visit people in prison. And if you know anyone in prison, I would encourage you very much to visit them. They're a good audience! I always get good letters from prisoners. I don't usually answer them because I have a lot going on in my life, but I get some really good ones, I get some really good letters from prison.
I was disappointed, not because we had lost the war but because our people had allowed it to go on for so many years, instead of heeding the few voices of protest against all that mass insanity and slaughter.
It seemed to work on camera. And there's very few films - because you make a lot of films and you meet people and you work very intensely and intimately and then you're gone - but there's a few where you actually make friends, and this [The Fall] was one.
I never have [suffered writer’s block], although I’ve had books that didn’t work out. I had to stop writing them. I just abandoned them. It was depressing, but it wasn’t the end of the world. When it really isn’t working, and you’ve been bashing yourself against the wall, it’s kind of a relief. I mean, sometimes you bash yourself against the wall and you get through it. But sometimes the wall is just a wall. There’s nothing to be done but go somewhere else.
I've been very selfish and the women in my life have hated that because of my work ethic. I try not to bring my work home but the next day I want to go prepared. So okay let's have a few moments of camaraderie whatever... okay great! I go work on the script.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
Fundamentally, as human beings, we're very, very alike and a lot more alike than we think, but we have a tendency to divide the world into them and us. In prison, when people commit a crime and we put them away, they definitely become "them." We don't want to deal with it because they have chosen to step out of society, so we're going to keep them out. Even if they serve their time, we're going to make sure that, for the rest of their lives, they're going to be branded. I don't know how to do it in a different way, but I think it clearly doesn't work.
If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.
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