A Quote by Muneshine

I just want to make a lot of good music that entertains people and makes people think, and maybe inspires other people to make music. That's it, man. I don't really know about a legacy. Honestly, I wouldn't mind making some money. I wouldn't mind being able to buy a house and have a comfortable life. I'm not trying to chase superstardom and millions and millions of dollars. I would like to have enough return on what I do to allow me to continue doing it more comfortably.
If you only have the mind of, "We have to sell this music and I have to make money on this music," then it's not really about the music anymore; it's about the money. I'm not saying I don't want to make money, but I'm thinking a little more long-term than just making a buck today.
For whatever reason, the success still blows my mind - that I'm able to talk to people about the music I've written. I always felt like there was something there because you don't put out music unless you have a sense that people will maybe like what you're doing or you're standing for something artistically. I don't mess with that. It's more about just music and trying to keep the integrity, I guess.
Brands are spending hundreds of millions of dollars trying to get to young people by using music as the vehicle. Being able to use music data and making it actionable so they can target and speak to these fans, that's super important.
I remember the first time I saw a CD, a technology guy brought one to my house and said we will be able to sell millions and millions of players, and people will have to restock their record collections. It was all about money. It was all about how much money we would make, "we" being "him."
I think there's a whole book being written about it in the UK. I don't know if you can get it here. It's about all the hidden messages and meetings in this and the fact that it is about women and the fact that this cave is full of blood and all this kind of stuff. And when I was making it, I didn't make it with that specifically in mind, but I always had it in the back of mind and I thought, 'Let's just throw it in there and see what people make of it.' And people seem to be making quite a lot of it. So I don't want to spell it out or say this, that or the other.
We're still making Hot Chip records whilst doing these other things, so why not just try and make music you enjoy making rather than being tied down by things? It would just be crazy to not allow people to make music.
I think you have to satisfy yourself first and foremost. There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them. If you're making music, you must want to turn other people on to it, whether you're number one in the charts or number 60. I don't know, that's a commercial thing, but just the fact that other people like you... there's no point in making music, otherwise. Otherwise you might as well make it in your bedroom and leave it there.
You are spending millions and millions of dollars of other peoples money when you make a movie. You have to at least approach it in a way where you can see how you can make that money back for the people who are investing.
I don't come from a flashy film background. TV's been a great home for me, and being able to do that work kind of unnoticed, and not putting that out in the foreground was perfectly fine for me. I just continue to want to make sure that that's what it's about. I think when you start spinning out on what other people are doing and trying to chase something, you're really on a one-way ticket to things not working out the way you want them to.
You meet people who are great to hang with, and you just want to make stuff. So, you just make stuff. I never would have seen that coming. I guess at this point, I can't say that I'm really picky about it. If someone wants to work with me, I'm psyched. As far as who I might call, I don't know. I've never thought about it. Maybe I don't feel like I'm able to ask. That hasn't crossed my mind. I'm that girl who waits to be invited to the dance. I'm not doing any inviting myself, if that makes any sense.
I know where my heart is and I know that I can make people feel something with my music. I'm quite confident in what I am doing, so if I can also make a song that people want to put in ten times during a party and makes them happy, then I think that is also good. I feel that playfulness is something that has entered my life a lot more in the last couple of years. I'm not taking everything too seriously. I think that is something that comes with age - I hope. I feel that music is much more fun for me than it has ever been.
It's hard to make a living in any of the arts. When most people think of artists, they think of the stars and the celebrities. But that's such a tiny minority of the elites who are able to make those millions of dollars. The reality is that it's very hard for the rest to make a living as an artist. So, you really have to persevere and understand that achieving the sort of success where you're making the big money is like winning the lottery.
Very often, I think about the people that I represent. I meet people who have thousands and thousands of employees and millions and millions of customers - and also make a lot of money. But I think about the millions of Europeans that I represent in order to try to balance that so we can meet on more equal terms.
I think that the good thing about working smaller and being a smaller company that doesn't have to make as much to make money back is that you don't have to worry about, well, critics like this and they'll tell people to buy it, but millions of people might say, 'Oh, well I'm not interested in that subject matter' and we're sunk.
Of what use is the universe? What is the practical application of a million galaxies? Yet just because it has no use, it has a use - which may sound like a paradox, but is not. What, for instance, is the use of playing music? If you play to make money, to outdo some other artist, to be a person of culture, or to improve your mind, you are not really playing - for your mind is not on the music. You don't swing. When you come to think of it, playing or listening to music is a pure luxury, an addiction, a waste of valuable time and money for nothing more than making elaborate patterns of sound.
People now have been conditioned to believe they should only buy one song at a time, that nobody can make an entire record that would merit you paying, you know, $7, $8, $10 when CDs in the '90s were $18, $19 and people bought millions and millions and millions of them.
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