A Quote by Munira Mirza
I think that in the past there has been a kind of cultural resistance to Latin because it's associated with elitism.
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Because I'm associated with an avant-garde sensibility, people think I'm looking down on popular culture, but I don't want to be part of a new elitism.
I'm kind of iffy on the Latin Grammys because I think we fought so hard, for example, to get the American side of the Grammys to open categories for us... But I support the Latin Grammys in the sense I'm glad that we have them.
I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.
I went from a sitcom to a hospital drama, feature films. I've kind of been living the actor's dream. I'm not associated with one role or one medium. You're lucky if you're associated with one hit show.
True Sufism is resistance: spiritual, intellectual, social, cultural, political and economic resistance. It cannot be, for sure, supporting dictators.
I think Passenger is a bit of an ambiguous thing because in the past, it's been a band, or it's been just me, or a duo or whatever, but I kind of like that as well. I think it's whatever that I'm doing with whoever I'm doing it with!
Wherever I found resistance to oppression, whether in Africa, in Latin America, certainly here in America in the South, I joined that resistance. I took part in the labor movement, in social movements, in the church community. I felt that it was the honorable thing to do and still do.
I think poetry can be a kind of secular way in which people can be led to approach the difficult parts of their life, where there's been loss, where there's sadness of a deep kind. If poetry can help people to be more at ease in expressing even to themselves a lot of the darkness and pain of ordinary human existence, then it's serving some kind of cultural role, perhaps more than a cultural role, perhaps it is serving something of a spiritual role.
Livin' la Vida Loca' is not Latin music. It does not represent Latin music what Jennifer Lopez put out. It's not Latin music. What Enrique Iglesias, it's not Latin music, no? It's Latin artists. There's a Latin artist doing it you could say.
When you say what is the difference between me and my stage name the idea is that as a musician you always think of yourself as inhabiting a certain cultural space in the kind of a cultural landscape, so when I say cultural space what I mean to imply there is that you exist within certain parameters of how people think of culture.
I don't think every actress in Bollywood has been associated with Lux. A select few actresses, who they felt suited the brand right (have been associated with it) and they all have been actresses of great stature with wonderful careers and some wonderful work. I am very honoured to join the group of people who have been with Lux over the years.
Frankly, liberals are out of the habit of communicating with anyone outside their own in cohort. We have a cultural problem with self-righteousness and elitism.
During the 1990s the United States sought to impose the 'Washington Consensus' on Latin American governments. It embodied what Latin Americans call 'neo-liberal' principles: budget cuts, privatization, deregulation of business, and incentives for foreign companies. This campaign sparked bitter resistance and ultimately collapsed.
There are cultural issues everywhere - in Bangladesh, Latin America, Africa, wherever you go. But somehow when we talk about cultural differences, we magnify those differences.
What will drive people if they don't have money or reward? The reward is the end of war, the end of poverty, most crime, and the end of begging for medical care. Everyone will be cared for and educated. There will be no taxation, and no advantage group. No technical elitism, or any other kind of elitism. If that isn't incentive enough, then I don't know what is.
There are stories that are by and for Latin Americans, where a certain amount of cultural fluency is expected, where we can delight in the details, the humor, the particularities of speech, of dialects. Something is always lost in translation; we know instinctively that this is the case. A Radio Ambulante story looks at Latin America from the inside.
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