A Quote by Munira Mirza

Some people think that culture is overhyped and peripheral. A season of opera is less important than the refurbishment of a school, they say. Leaving aside the poverty of imagination and aspiration implicit in such a sentiment, it also ignores hardheaded economic reality: Britain, and London in particular, makes big money from culture.
We don't want this globalised economic system which does us so much harm. Men and women have to be at the centre (of an economic system) as God wants, not money. The world has become an idolator of this god called money. To defend this economic culture, a throwaway culture has been installed. We throw away grandparents, and we throw away young people. We have to say no to his throwaway culture. We want a just system that helps everyone.
Britain is blessed with a functioning political culture. It is dominated by people who live in London and who have often known each other since prep school. This makes it gossipy and often incestuous.
Maybe it's naïve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.
It's terrible for the culture of music. Like anything that is purely economic, it ignores the most important component.
There is less gray area there, less doubt. There is a security in being some thing all the way. Our culture, too, encourages this way of being - exaggeration, for example, is the key to advertising success in the United States. But hyperbole also seems a big part of Iranian culture, as well.
There are also other areas. For example, culture. This is extremely important. We keep revisiting sport, judo, because I practice it, but other than that, there is also culture. Every year events that are in some way or other related to Russia take place in Japan.
I had the French culture at school and I love this culture but I also had another culture at home - that of Senegal. I think this way of growing up has made me the person I am today - because I had the two cultures.
The film culture has no room for ideas. The literary culture has some room, but not less than they should, and the academic culture has a lot, but there's no way to communicate it in a wide way.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
The culture around here is much less cutthroat than it is in, say, Silicon Valley, or even within the non-profit culture in D.C.
The percentage of Indian kids doing some sort of artistic work is much higher than in the general population - painting, drawing, dancing, singing. The creation of art is still an everyday part of Indian culture, unlike the dominant culture, where art is sort of peripheral.
The great thing about London is the little pockets of culture, like Hackney, which has its panto and its great community. Of course there's also the West End with its brilliant theatres and thriving tourism but to also have areas like Hackney which are so community based but not exclusive, that remind you that those surrounding you are the most important, is what makes London what it is.
The language of the culture also reflects the stories of the culture. One word or simple phrasal labels often describe the story adequately enough in what we have termed culturally common stories. To some extent, the stories of a culture are observable by inspecting the vocabulary of that culture. Often entire stories are embodied in one very culture-specific word. The story words unique to a culture reveal cultural differences.
Professional wrestling in Europe is more of a sub-culture. It is not as popular as it is here in the United States. The people that were drawn to it were also people that were into sub-culture, hardcore sub-culture. It is basically an alternative scene that is sub-culture.
I think with world building, it's important to create a sense of culture even if it is just a fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.
I am not ashamed to say that our culture is far better than the Islamic culture, which is a culture of barbarism.
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