A Quote by Munira Mirza
In cities across the world, directors of leading arts institutions, galleries and museums know that when it comes to attracting locals to their major exhibitions and shows, weekdays tend to be 'cultural dead time' for working people, who are simply too busy to enjoy what their city has to offer.
Related Quotes
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I almost never get to leave town, and when I do, I tend to go for three days max. Seeing between 30 and 40 shows a week in 100 or so galleries and museums takes up nearly all my time.
Every major technological step forward has profoundly changed human society - that's how we know they're major, even if we don't always realise it at the time. Farming created cities. Writing, followed eventually by printing, vastly increased the preservation and transmission of cultural information across time and space.
There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
Fashion went from being much more rarefied to being more accessible. Now everything is changing in the art world, too: even the highest level of institutions are becoming more aware of the general public, like the McQueen exhibit at the Metropolitan or the Tim Burton at the MoMA or how the Gagosian does historic Picasso shows, bringing museum quality into a gallery. Galleries are becoming more like museums, and museums are becoming more accessible. In the next decade, I think it'll be blown open: there will be a lot of shifting around in terms of how artists approach their work.
When you tour as much as I do, you're always on the road, and you tend to gravitate toward cities where you're like, 'Every time I'm in that city, the shows are fun.'
Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.
That is simply that Marxism has been tremendously fashionable in our time, so it has infected a very large number of major institutions in many countries of the world. So I suppose that we shouldn't be too surprised that it should infect the church as well.
Art exhibitions would be less censored if they were rated, G or NC-17, like movies. People in general see galleries and museums as family-appropriate excursions. Censorship is a provided system which caters to lazy parenting, which is publicly-funded and socially accepted.
Traveling has a major impact on what I do, cause all over the world I'm meeting all kinds of people. And relationships is the second major impact that I have. I just enjoy the variety that the world has to offer.
The arts are not simply skills: their concern is the intellectual, ethical, and spiritual maturity of human life. And in a time when religious and political institutions are so busy engraving images of marketable gods and candidates that they lose their vision of human dignity, the arts have become the custodians of those values which most worthily difine humanity, which most sensitively define Divinity.
My background is in arts education and we know, absolutely for a fact, that there is no better way for kids to learn critical thinking skills, communication skills, things like empathy and tolerance. This is true across every boundary, across cultural boundaries, across socioeconomic, it's a great leveler in terms of unifying our world.
New Singapore will be one of the world's finest, most liveable cities. Arts, theatres, museums, music and sports will flourish. Singapore will be a lively and exciting place.. Our city will not only have depth, but also the richness of diversity. But above all, Singapore will a home for Singaporeans.
The most important part of a city is its people. In fact, people for me are like little cities. When you meet someone, it's like you've found a new city to explore. You take a tram, visit the museums and operas and cafes.
We are fortunate to live in an attractive, highly desirable and vibrant city. A city that is growing, that draws new residents and visitors from across the world each day and a city with a great sense of pride in all we do and have to offer.
One city can look at other cities relative to their city and learn something. It's a matter of sharing the patterns of what exists in one society based on landscape or cultural values versus other cities.
We hurt people by being too busy. Too busy to notice their needs. Too busy to drop that note of comfort or encouragement or assurance of love. Too busy to listen when someone needs to talk. Too busy to care.
Related Authors
Andrew Yang Quotes
American
Public Servant
Ben Bernanke Quotes
American
Public Servant
David Frum Quotes
American
Public Servant
Elizabeth Warren Quotes
American
Public Servant
Henry Paulson Quotes
American
Public Servant
James Comey Quotes
American
Public Servant
Janet Reno Quotes
American
Public Servant
Janet Yellen Quotes
American
Public Servant
Karren Brady Quotes
British
Public Servant
Michael Hayden Quotes
American
Public Servant
Mohammed Saeed al-Sahaf Quotes
Iraqi
Public Servant
Paula White Quotes
American
Public Servant
Samantha Power Quotes
Irish
Public Servant
Steve Bannon Quotes
American
Public Servant
Vivek Murthy Quotes
American
Public Servant
Wendy Kopp Quotes
American
Public Servant