A Quote by Munira Mirza
There's a lot of concern that London is changing and artists are being forced to move to new areas.
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The birds are already evolving, changing the way that they sing as a result of noise pollution. And we have yet to do that. We're still not communicating. We're not changing our words. We are not testing, not providing this new lexicon for noise-polluted areas.
The whole London football scene is now financially more powerful and ambitious than ever before. That reflects the city's economic might and its multiculturalism. Now West Ham have a new , and Spurs and Chelsea will follow. And the London clubs have widened their areas of support.
You know, it's no accident that the great painters came from areas like Europe where there is a lot of clouds and rain, which begets color and subtle washes of tone. Most great graphic artists come from areas with prevalent sun, where line and shadow are paramount.
I lived in London, went to the London School of Economics, do a lot of business in London, and have a lot of fun in London.
Everyone in New York wants to move to London, and everyone in London wants to live in New York. A few people want to live in L.A., but I'll never understand that. It's too much for me.
As a new artist, you come out, and there are so many other new artists. It seems like there's a whole wave of new artists that come along every year. In '05, I was part of the crop. It was a lot harder trying to set myself apart from the rest of the pack.
I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
After I left Dream Theater, and I was doing Avenged Sevenfold, Twisted Sister... all these other things, I made a lot of new fans in a lot of new areas.
It is almost impossible to open a newspaper without reading something about the London housing market. House prices are rising at such a rate that the vast majority of Londoners can't afford to buy, are being forced out of the boroughs they grew up in, or in the worst cases, are being made homeless. If nothing is done, people will continue to be driven out of the city and London will cease to be a hub for creativity and entrepreneurship.
We're also looking a lot at graphics and video. We've done a lot on a deep technical level to make sure that the next version of Firefox will have all sorts of new graphics capabilities. And the move from audio to video is just exploding. So those areas in particular, mobile and graphics and video, are really important to making the Web today and tomorrow as open as it can be.
In changing times, we should all lend our support to the independent retailers. Without independent retailers, many of the biggest names in music would still be undiscovered. They break new artists and movements. We all know the industry is changing, but we can't forget where we came from.
One of the joys about my job is that I've been able to constantly move and keep changing. The whole point of being an actor is you change your exterior everytime you do a new job and that's what keeps it exciting.
When I first started acting, I was actually working with the National Youth Theatre in London doing anti-knife crime workshops, so I was listening to a lot of music that was around us all the time, around the guys I was working with, and the kids - lots of young grime artists from London.
In a lot of ways, L.A. has always been kind of colonized or marginalized by New York. It still goes on to this day, but I would add that it really feeds New York because it provides artists for that system. This is really a laboratory where they grow the seeds and they go there and blossom because there's still not a lot of support in L.A. for artists.
London always reminds me of a brain. It is similarly convoluted and circuitous. A lot of cities, especially American ones like New York and Chicago, are laid out in straight lines. Like the circuits on computer chips, there are a lot of right angles in cities like this. But London is a glorious mess. It evolved from a score or so of distinct villages, that merged and meshed as their boundaries enlarged. As a result, London is a labyrinth, full of turnings and twistings just like a brain.
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