A Quote by Munira Mirza

There is a sense of civic connection to the city when you light up iconic buildings or sites. — © Munira Mirza
There is a sense of civic connection to the city when you light up iconic buildings or sites.
What I have learned about museum buildings is that buildings have to have iconic presentations. The position of the art museum vis-a-vis other civic buildings needs to be hierarchal in the community. It has to be equal to the library and the courthouse.
I don't think all buildings have to be iconic, but the history of the world has shown us that cultures build iconic buildings for their major public buildings.
Los Angeles is a city of few hard targets. Its iconic buildings are private spaces, mostly residential, visible by invitation only or in the pages of a Taschen book. Its central industry is as mirage-like as the projection of light on a screen.
When people condemn me for designing iconic buildings in cities and not having an idea what a city is, they haven't done their homework. I started in urban design and city planning. It's just that when I got out of school there wasn't much of a market for that. There still isn't.
Here in Barcelona, it's the architects who built the buildings that made the city iconic who are the objects of admiration - not a bunch of half-witted monarchs.
People give because they identify with Burning Man, with our city, with our civic life. The idea of giving something to the citizens of Black Rock City has enormous appeal to them because it enhances their sense of who they are and magnifies their sense of being. That's a spiritual reward.
I felt that there's an obligation when writing a piece about an urban expressway made in the 50s to acknowledge the context, and Robert Moses is sort of an iconic figure in New York, and he influenced the shape of the city more than anyone else before or after him. He was one of the most powerful and influential civic architects in the world, because of how much he transformed the city. He built multiple bridges and highways and parks and recreational spaces, beaches - in the course of a few decades, he completely changed the city
The lanes and streets of the city being set out, the choice of sites for the convenience and use of the state remains to be decided on; for sacred edifices, for the forum, and for other public buildings.
London imbued me with an appreciation of the beauty and value of history in general. As it has evolved and grown, the city has created iconic modern buildings that look perfect as they sit alongside ancient ones.
Cars are all jammed up all along the road and a light turns red and someone honks. In every one of those cars there is a story or a hundred stories. For every light on in al of those huge city buildings there is a story. No one knows what I am about to face and no one knows my story and neither do I right then.
I moved from a mountain with one traffic light to New York City when I was 17, and it was an amazing, eye opening, creative adventure. I would walk through the streets of Manhattan looking up at these huge buildings, amazed that I didn't know a single person in any of them.
Buildings for me represent opportunities of agency, transformation, and storytelling. They are not just artifacts. There is this big tradition of buildings-as-artifacts - constructed artifacts - but for me they are these incredible sites of negotiation.
I started sfCiti because I believed that technology companies needed to take a 'One City' approach and build a shared sense of community and civic responsibility in San Francisco.
A city, far from being a cluster of buildings, is actually a sequence of spaces enclosed and defined by buildings.
Light is the only connection we have with the Universe beyond our solar system, and the only connection our ancestors had with anything beyond Earth. Follow the light and we can journey from the confines of our planet to other worlds that orbit the Sun without ever dreaming of spacecraft. To look up is to look back in time, because the ancient beams of light are messengers from the Universe's distant past.
I grew up looking at the Sunset Strip, literally. The things that I remember are the Rainbow Room, the Roxy, the Bizarries, Tower, I grew up my whole life going there, Filthy McNasty's and I said, I need these things and now fill it in with other iconic buildings.
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