A Quote by Munira Mirza

Black artists are encouraged to explore their identity but are then pigeonholed according to their ethnicity. We may have seen the decline of old racism, but we are witnessing a new kind of racialising.
I feel like because black Cuban artists don't have the kind of pressure to thematize race in the way that African-American artists do, there's more space for them to do their art without having to discuss it in terms of racial identity.
The core of the culture is racism and how black men are viewed. They've always been demonized and seen as threats in our culture. Another holdover from slavery. We've got to deal with that core root of racism and demonization of the upbringing of black men. Black women are not exempt by any means.
As a result of the awareness and consciousness of decline, an awareness and consciousness of a national ethnicity or an Islamic identity also came into being.
And what is the Republican solution to these outrageous [racial] inequalities? There isn't one. And that's the point. Denying racism is the new racism. To not acknowledge those statistics, to think of that as a 'black problem' and not an American problem. To believe, as a majority of FOX viewers do, that reverse-racism is a bigger problem than racism, that's racist.
When a black man is stopped by a cop for no apparent reason, that is covert racism. When a black woman shops in a fancy store and is followed by security guards, that is covert racism. It is more subtle than 1960s racism, but it is still racism.
I think - a lot of times in hip-hop, especially - artists get kind of pigeonholed into being 'the guy,' and it's kind of limiting in a way.
As artists get wealthier and more famous, often their work gets worse... I'm fascinated by the decline of artists. I suspect I'll be in decline myself. It's a fact of life.
Identity has several parts, and the self needs to expand. Black youth should be encouraged to have as many parts or as rich an identity as possible. It's a form of allowing them to be curious about the world.
In crises, the old is dying and the new has not been born. Hence, the revolts we are witnessing in Egypt and Tunisia, which may yet extend to other countries in the region, are full of uncertainties.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.
By dismantling the narrow politics of racial identity and selective self-interest, by going beyond 'black' and 'white,' we may construct new values, new institutions and new visions of an America beyond traditional racial categories and racial oppression.
There's a problem which is when you're trapped in your own identity and everything is really you, then you feel less freedom to sort of explore who you want to be. So I think it's kind of something we're stuck with as long as humans are the way we are.
When your witnessing is ninety percent, your mind is reduced to ten percent. And when your witnessing is one hundred percent - total, absolute - the screen is empty, the film has disappeared. This is the state of meditation: when there are no thoughts, no feelings - nothing moves, everything stops. There is tremendous serenity. Out of this serenity, silence, peace, a new kind of experience arises, new flowers blossom.
I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.
I've seen and always been extremely aware of racism... casual racism, serious racism... all of that.
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