A Quote by Munira Mirza
For so long, Arab culture has been misconceived by the western mindset as exotic, or more recently, as dangerous, so spaces like Mathaf are vital for asserting a sense of connectedness.
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I grew up in Jerusalem and went to school here. I studied at the Hebrew University - mostly Islam and Arabic: Arab literature, Arab poetry and culture, because I felt like we are living in this region, in the Middle East, and we are not alone: There are nations here whose culture is Arab.
I recently went to my staircase at Clare College, Cambridge and there were women there! There have been a lot of convincing studies recently about the loss of productivity in the Western male. It may be that entertainment culture now is so engaging that it keeps people satisfied. We didn't have that. Science was much more fun than listening to the radio. When you are 16 or 17 and in that inherently semi-lonely period when you are deciding whether to be an intellectual, many now don't bother.
Ultimately, there is no such thing as "my consciousness," but just the one consciousness and to sense your connectedness with the one (I can sense that continuously, which is why I can say that I know this for sure) to sense that connectedness with the one consciousness that pervades the universe, which in some traditions is called God, to sense that frees you of fear, from anxiety, and takes you to a very deep place of peace, but also of heightened aliveness.
I've always been interested in queerness and underground and fringe and periphery, and who and what flourishes in those spaces. Those spaces that are darker and dingier and more dangerous, more lonely. What comes out of there, to me, is the life force. I'm excited when the center reaches over to those places and pulls inspiration from them, and translates it for a lot of people.
But who, in the Western world, has not been deranged by a toxic cocktail of dissatisfaction, restlessness, desire and resentment? Who has not yearned to be younger, richer, more talented, more respected, more celebrated, and, above all, more sexually attractive? Who has not felt entitled to more and aggrieved when more was not forthcoming? It is possible that a starving African farmer has less sense of injustice than a middle-aged Western male who has never been fellated.
In the emerging world of ethnic conflict and civilizational clash, Western belief in the universality of Western culture suffers three problems: it is false; it is immoral; and it is dangerous.
I believe Western culture - rule of law, universal suffrage, etc. - is preferable to Arab culture: that's why there are millions of Muslims in Scandinavia, and four Scandinavians in Syria. Follow the traffic. I support immigration, but with assimilation.
Our ports are a vital link in national security and it is extremely dangerous to be considering their sale to the United Arab Emirates government.
From the viewpoint of political power, culture is absolutely vital. So vital, indeed, that power cannot operate without it. It is culture, in the sense of the everyday habits and beliefs of a people, which beds power down, makes it appear natural and inevitable, turns it into spontaneous reflex and response.
In Western culture, particularly North America, a lot of rules are descriptors for sociopathy: a general acceptance of lying as long as you win, an attitude of "me first," an attitude that what it looks like is more important than what it is. This makes it much easier for a sociopath to be camouflaged in our culture.
Only in the Roman Empire and in Spain under Arab domination has culture been a potent factor. Under the Arab, the standard attained was wholly admirable; to Spain flocked the greatest scientists, thinkers, astronomers, and mathematicians of the world, and side by side there flourished a spirit of sweet human tolerance and a sense of purist chivalry. Then with the advent of Christianity, came the barbarians.
If there is such a thing as being conditioned by climate and geography, and I think there is, it is the West that has conditioned me. It has the forms and lights and colors that I respond to in nature and in art. If there is a western speech, I speak it; if there is a western character or personality, I am some variant of it; if there is a western culture in the small-c , anthropological sense, I have not escaped it. It has to have shaped me. I may even have contributed to it in minor ways, for culture is a pyramid to which each of us brings a stone.
Calling something exotic emphasizes its distance from the reader. We don't refer to things as exotic if we think of them as ordinary. We call something exotic if it's so different that we see no way to emulate it or understand how it came to be. We call someone exotic if we aren't especially interested in viewing them as people - just as objects representing their culture.
So much of the United State's political relationship with Israel is based on culture. Israel is the only Westernized culture in the region and the Middle Eastern countries bordering Israel are Arab, which is a totally different society. Even though Israel doesn't exactly feel like the United States, by comparison to its neighbors it's very Western.
I think the Arab world has no personality cult situation going on that they have in much of the Western world, South America included. They are a culture of words and religion, and you won't see manycsa charismatic people on Al Jazeera, except for the ones who are now learned presenters. You see Arab leaders getting on TV - which was very hard for me working out how to do the part, since Arab leaders are looking somnambulant, staring into their microphone, almost as if someone's got a hand up their back.
In many parts of the world, including the Arab world, the Latin American world, and even parts of the Western world, there is a tradition of writers being quite engaged. Particularly in the Arab world you have had very, very strong traditions of literature and poetry and most of the writers have been deeply committed to the cause of the Arab nation.
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