A Quote by Mura Masa
I did shows for a while without a rider, actually, because nobody tells you that it comes out of your fee.
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I've never owned a really bad car, but when I did my driving lessons I had something pretty bad. It was a Skoda, from back before Skodas were actually good, because I know they've got better recently but this was a proper old one. Roy's School of Motoring, it was called, and it was this cream Skoda with a long bonnet. He did 20 lessons for a really cheap fee because nobody wanted to be seen in this cream Skoda around Enfield!
Sometimes people will bring up these odd things that I did a one-off from. Like, I did a 'Knight Rider,' and I'll get an E-mail from a 'Knight Rider' fan who says, 'Look what I did to my car!' And I don't know if you know about this, but there is a sub-cult of 'Knight Rider' fan who trick out their cars to look like KITT. I'm, like, 'Really? Isn't there anything else you can do? Do you make that much money? Because I have projects I'd like to get off the ground, so how about you don't make KITT and you give it to me?'
See, the thing of it is, there's a lot of ugly people out there walking around but they don't know they're ugly because nobody actually tells them.
I wanted to be a graphic designer from the time I was 15, without ever having actually met one. I lived in the mid-west, not in a media centre, and I didn't know anyone who did that for a living. It took me a while to find out what that thing I wanted to do was actually called, but once I sorted that out I got really interested in it.
A baby's a full time job for three adults. Nobody tells you that when you're pregnant, or you'd probably jump off a bridge. Nobody tells you how all-consuming it is to be a mother-how reading goes out the window and thinking too.
Until your personality has exhausted its obsession with running the show, your soul isn’t given the space to express itself. Your personality can be threatened by your soul, because your personality has controlled your life for a long time and doesn’t want to give up control. Your personality is like a wild horse that tries to throw off the rider trying to tame it. The rider is your soul.
Whites know never tell blacks what you really think and what you really feel because you risk being seen as a racist. And the result of that is that to a degree, we as blacks live in a bubble. Nobody tells us the truth. Nobody tells us what they would do if they were in our situation. Nobody really helps us.
The mind is divided, like a rider on an elephant, and the rider’s job is to serve the elephant. The rider is our conscious reasoning-the stream of words and images of which we are fully aware. The elephant is the other 99 percent of mental processes-the ones that occur outside of awareness but that actually govern most of our behavior.
I've always been honest with all my kids. So I - if they did well, they did well. And if they didn't, actually, I asked, did you try your best? And if they tried their best, then, you know, I back out because I expect them to be honest with me or with themselves. And I can't make you go out there and work out hard.
[There, in War Horse] very little CGI. What happened there - because the horse was running very close to the trench, we had a rider. So in few instances, we had a rider dressed in a green suit. The rider would guide the horse through the frame, and through CGI [we removed] the rider. But that's about it.
I didn't play the Ghost Rider in the first movie. That was a stuntman. In this film, the Ghost Rider feels much more alive because I did put some thought into how he should walk and into how he should move. I was so into the character, in fact, that I would paint my face with white and black makeup to look like a skull. And I put on blacked-out contact lenses, so I almost looked like an Afro-New Orleanian voodoo icon by the name of Baron Samedi. Oh man, I would walk around the set without saying a word to anybody, and I could see the fear in my co-stars' and co-directors' eyes.
I did game shows, I did interview shows, I did talk shows, I did commercials, I did acting. But all of that was a million years ago.
I haven't worked on a lot of different shows, but from just watching different shows I've noticed that there isn't necessarily on every show that love of crafting an episode that has the three part act structure that comes around and actually tells a complete story.
While you're in space, you grow in height! Without the constant force of gravity on your spine, it stretches out, and you're actually taller when you land. It doesn't last long though.
If nobody comes to your shows, then it's modern dance. If everybody comes to your shows and no one likes it, is that ballet? I don't know.
No one is making extraordinary things alone. They might be alone in their bedroom while they're recording or writing, but they didn't actually conjure that thing out of nothing - without influence - without assistance - without anything.
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