A Quote by Mura Masa

I think I can pinpoint the moment that I realized that I enjoyed hip-hop music and it was the video game called Need For Speed Underground. — © Mura Masa
I think I can pinpoint the moment that I realized that I enjoyed hip-hop music and it was the video game called Need For Speed Underground.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
I've been involved in a lot of different kinds of projects. I've been on straight hip hop tours. I've been on underground rock tours. I've been on multimillion selling rock shows. I've been in the jam band thing, and both commercial and underground hip hop. Very few people listen to one kind of music.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
I love the way I make hip-hop and I refuse to make pop-rap. I don't refuse to make mainstream music, which is why I did a soul record. There was no reason why soul music couldn't get played on the radio and I still wanted to have a relationship with my record label. So, I really enjoyed doing the Strickland Banks album. But there's no point in my trying to release underground hip-hop music on a major label. That part of my talent, or part of my art, had to live somewhere else and feature film was the perfect vehicle for it.
I wanna make my imprint in the game as far as music - hip-hop, and just music, period. 'Cause I come from hip-hop, that's my background, but I'm not gonna let that limit me from where I can go.
The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
Hip-hop in a lot of ways is like sports; when you go to a sports game, you see people from all ages, all ethnicities, all social classes, they're all there enjoying the game. Hip-hop has been one of the only forms of music that has provided that kind of atmosphere.
I think that people have been claiming hip-hop as being dead since the moment it started. I think there are people - and I can be included in that category sometimes - that get frustrated feeling like maybe the industry has handcuffed itself, or trained its artists to do or think about music in a way that classically hasn't led to the greatest records in hip-hop.
The emergence of the independent hip-hop scene has replaced what we called the "underground scene". It's what the underground scene has evolved into: actual businesses.
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
I'm really into old school music when hip-hop first came out with Common, A Tribe Called Quest, Queen Latifah, MC Lyte, and Run DMC. I'm really into that! Hip-hop these days isn't the same and doesn't have the same sound anymore. I'd rather listen to the old school hip-hop.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
Legions of young hip-hop fans are as against this as hip-hop's most fierce critics. There is a huge underground movement within hip-hop circles that against these representation. You can hear this message on tons of lyrics and rap songs produced by independent emcees. But they are fighting against a well-oiled and well-financed machine.
Man, I feel like hip-hop is - first of all, not even only with just GOOD Music, I gotta say - I think hip-hop is still alive in a strong way, man. I feel really enthused about hip-hop.
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