A Quote by Mura Masa
After the first album, I felt like I needed to one up myself - get even bigger features - and I spent six months thinking about that and not making any music.
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When making the first album, I think I wrote a song about every six months. The first album was so much about the vocals carrying it.
From an early age, I was trying to get laughs, but it wasn't a conscious thing. I think I was about six months old when I first realized I needed friends in life and making people laugh worked for me. By nine months, I came out of my shell.
The first artist whose music I really got into was Paolo Nutini. When his album 'Sunny Side Up' came out, I think I listened to it on repeat for, like, six months.
When I made the decision to go to Europe, a lot of people questioned it. The first six months I was there even I was questioning it, but I think I learned a lot more about myself in that six months than I have my whole life.
But acting is my main profession so it's about finding the right balance. I don't know how, if I went any further with the music, I would manage to do both - I would have to take time off from acting because I couldn't do both at same time. I could do six months on and six months off perhaps. But I'm really proud of the record. I've worked on it for a while and I'm really glad to finally get the album out, having done three EPs prior to its release.
I didn't set out like, "I'm gonna do this album, and I really want a #1 album." So it wasn't even on my mind like a goal to accomplish... but as soon as it sunk it that it was an accomplishment, I realized I gotta start acknowledging milestones [I've] accomplished because sometimes you get so caught up in the bigger picture that you gotta stop and notice the steps you take to get to the bigger picture.
Six months after that, I left Taiwan, first for Hong Kong and then for mainland China, where I spent another three months studying still more Chinese and generally kicking around the country.
The Class Clown album was done totally sober. I'd realized what a hell I'd made for myself and I cleaned up completely for three months. You can hear the clarity of my thinking and of my speech on that album.
I never know what to tell them. I mean, there's nothing you can say to make a person stop hurting. Half the time, I just feel like telling them the truth. I'd say that for 3 months, you're going to feel worse than you've ever felt and you cope as best you can. And that after 6 months, the pain isn't so bad, but it still hurts more than you think it will. And even after years, you still find yourself thinking about the person you lost and get sad about it. And you still miss them all the time.
With this new album, I prepared for it a long time, and I was happy with the songs and the production. I felt that I proved myself with the first album, and with this new album, I just want to share some of my music. And that was always my feeling and my intention.
Even though I didn't notice it while it was happening, I got reminded in ninth grade of a few things I guess I should have known all along. 1. A first kiss after five months means more than a first kiss after five minutes. 2. Always remember what it was like to be six. 3. Never, ever stop believing in magic, no matter how old you get. Because if you keep looking long enough and don't give up, sooner or later you're going to find Mary Poppins. And if you're reall lucky, maybe even a purple balloon.
In my mid 30's, after a decade or so of giving full time to the music thing and finding myself with about $10 in the bank and no assets other than my musical equipment, I realized I needed to get serious about making a living.
Obviously yeah, but our first album took us five years to put together, to get signed and to put it out, we had a lot of time to think about what we were doing. Black Sunday was like a whirl wind, we had to rush back to the studio after touring, but the last album we had a little longer, what like eight months?
Now, I made the most money I ever made in my life with 'Papers' - I think my first check was like $101,000, my folks couldn't even believe. At this time, this is like 2010, I'm still in the barbershop cutting hair, still being the regular Zaytoven because I felt like after 'Papers,' it wasn't going to get any bigger than that.
I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.
This 'Making Mirrors' album is far more personal, even if there's a character element to the sounds I'm working with. Every song on this album I stand behind; I feel like I have a close relationship with them. There are older songs where I can feel myself writing a story, so this is the first album where I'm proud of every lyric.'
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