A Quote by Mura Masa
The first time I played at Green Door Store in Brighton, which is under the train station. It was sold out by 150 people.
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I feel more comfortable in a place like Brighton - a town, with one centre, one bus station, one train station. And there are so many arty, creative people, and things are less rushed, less stressed.
I was 16. In the middle of the night, I took a taxi to the Detroit train station - or maybe it was the Pontiac train station? - and got on a train to Chicago, then transferred to a train to San Diego where my boyfriend was living at the time.
And then after a while he got me a job at the video store next door. I used to lock up the store and go next door and hang out all the time and watch movies and stuff.
From the moment I went to Hollywood for the first time, I was accused by various people of selling out. So I feel I've done my sell-out films already. I've sold everything! I've sold every piece of soul I ever had!
The first time when I was organizing, I went out and started knocking on doors to see if people were registered to vote. I was a door knocker. I didn't even have the confidence that I could register people, so I just was out there door knocking. That was my first experience.
The first television show I did was a production called 'The Pacific,' which was this huge HBO series with an insane budget and 300 extras and a crew of 150. We were filming out in the middle of the wilderness in my hometown. I was so green. I didn't understand anything that was happening.
My first 'Daily Show' piece was pretending I had this terrible immigrant journey, so I went to talk to an immigration lawyer who would help out people, and I ran into him in Penn Station about three months after I'd gotten the green card. I said, 'I got my green card yesterday.' And he hugged me because he understood that level of relief.
The first time I experimented with sound design was on 'Fruitvale Station,' where I recorded the BART train and manipulated it.
The first movies, they just put up a camera and had a train come into a train station, and everybody was amazed. That was sort of all technology.
If a train stops at a train station, what do you think happens at a work station?
The first time I listened to Coldplay, I was at a train station in Paris with my family on holiday. I put on 'Clocks' on my discman, and I fell in love.
If a train doesn’t stop at your station, it’s simply because it’s not your train. Don’t try to flag down the conductor and convince them to stop there, even if their own map says that they should just keep going. You may not realize it, but there’s another train trying to come toward you, unable to get into your station because a train that doesn’t even belong there is being delayed there by your intensity.
Japanese train signs, station signs, are really representative of the Japanese mind to me, because it always has the station where you are, the station you were previously at, and the station that is the next station. When I came to New York, I was very confused. It just doesn't say where I was and where I was going. But I realized after a while probably most people don't need to know what station you were previously at. But I think it's just some weird Japanese mentality that we need to know, we need to connect the plot.
I think I heard it [ Ferris Bueller's Day Off ] earlier. This was being played on a station in San Francisco called Live 105, which was a new wave station. It was one of the first stations to change its format in the early '80s. There was this wave of really strange music coming from Europe like Kraftwork and Freur.
When I was living in Boston, I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.
When I was living in Boston I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.
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