A Quote by Mura Masa
The way streaming is going, this movement in the market of music would suggest that doing a long-form project, especially for a new artist like me - someone who relies on a lot of digital following - it would make more sense for me to release the songs individually.
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It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
Streaming is a really big market for me. We've been doing great in the streaming market, so it's not something I want to alienate at all. Streaming counts now. They're treating artists the way we deserve to be treated.
Most companies that are successful listen to people and see what they want and they make that. So when I used to make songs, I'd make mixtapes. The public would tell me what they like and then I would make songs based on what they like. That's how I knew 'Ridin' Dirty' was going to be big - they told me they liked this kind of music.
Although I still have a long way to go, I would like to become the pride of Asia. When another Asian artist enters the U.S. market, I would like him to think, 'There was an artist called Rain who succeeded in the U.S. market.' This is my dream.
I was always kind of against streaming, but I've been traveling so much, and I usually carry a huge hard drive of digital music with me, but I haven't had time to deal with it, so I've been doing streaming. And I had this incredible breakthrough of weightlessness where I've really been loving streaming music.
Music is the highest art form.I still think that. I wish I was really talented in music because then I would be doing it. I felt that I could write a decent song, but it was a big struggle. It took a lot of time and effort for me, whereas a lot of my peers and other people seemed to have a much easier relationship to it. But I profoundly love music, and I still dream that I might one day try to write some new songs and record something - just for myself, to see what would happen.
I would love to win an Oscar one day. That would be a very wonderful thing. But in the meantime, I really hope that I make films I'm proud of. A lot of people aren't going to like the movies I make, I'm sure. But as long as I'm proud of the movie and I'm not selling out, and I'm doing things that make me happy and make me grow as an actress, I'll be good.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
My mind was so geared towards being a performing artist, singing all these classical pieces, but the sense of loneliness I got when I moved from New York to El Paso meant that writing turned into singing. I'd sing all these songs, and they'd make me feel better. Songs that crafted the way my life was going to go.
I love writing, composing and producing music. It's what I enjoy doing most in life and I create so much material that crosses over so many different styles that it would be virtually impossible to release all under one name/project. That's mainly why I like to create aliases and work on production for other artists as well. It just make sense. I just want to be able to have an outlet for all the different styles of music that I like working in.
I think my faith is a huge part of my music. But for me, it didn't make sense to be in any specific market. I write songs for a lot of different kinds of people.
I kind of miss writing songs the way that I used to write songs, in the sense that I would just sit down, and all these words that told a story would come out. There's one Bon Iver song called 'Blood Bank' that is more representative of an older lineage of songs, which I like and I sort of miss. But it just doesn't happen anymore for me.
It would seem as if the rulers of our time sought only to use men in order to make things great; I wish that they would try a little more to make great men; that they would set less value on the work and more upon the workman; that they would never forget that a nation cannot long remain strong when every man belonging to it is individually weak; and that no form or combination of social polity has yet been devised to make an energetic people out of a community of pusillanimous and enfeebled citizens.
Due to the Internet, we don't perform new songs until a release. Don't get me wrong, I love new technology, but in the case of a new song we would like the original recording and production to be heard first.
I think if I lived in New York I would be really stressed out going out to a club and seeing a good DJ who's doing something on a similar level. I'm pretty critical of myself when it comes to the music. Maybe they're not doing as many samples or the samples aren't put together as specifically but it would stress me out to feel like I needed to be one upping someone. In Pittsburgh, I'm in my own world - I know I'm the guy doing this here.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
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