I think, what I want to say is that yes, my ideas have travelled into popular culture they also emerged from popular culture in a way, or from the general public as you put it. But not as a program.
G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music.
I am trying to encourage kids to do something that isn’t yet on their mind because it is not in popular culture. Popular culture tells you 'music, music, sports, sports.' It neglects the importance of a STEM education.
I think the music industry, for instance, is such a huge, multibazillion-dollar industry and it's become very, very savvy. There's a very short grace period in which actual human rebellion or resistance can thrive before it's co-opted by these huge companies. And all of youth culture is packaged and sold back to us at this furious rate these days. I think it's part and parcel to this corporate encroachment on our lives in general.
Popularity gets up people's noses. But I understand the importance and the function of popular music. There is an artistic purpose. Popular music helps people to develop a curiosity and leads them towards classical music.
Too often, it is presumed that young people will only like art that they can immediately relate to. Working-class students may be steered towards popular culture like hip-hop, new media and film on the basis that they will find older art forms such as opera or ballet irrelevant.
I'll be, like, grocery shopping or doing something totally mundane, and once a day, you'll hear a Cyndi Lauper song on the radio. It is astounding what an icon she is, not just in popular music but in popular culture.
We use the term pop in the art world, as in Pop Art, but we forget that its root is popular - popular culture.
I think that my music is really empowering. I just want people to know - especially young people, but really everyone - that you don't have to be so caught up in what everyone else is thinking. You don't have to be the coolest, most popular person. You can just be you and be vulnerable.
In the restaurant business, there's the concept of pivot. Pivot to the stove, pivot to the refrigerator.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
I get the greatest joy from just doing anything, being an actor. Doing music, and doing what I love to do. I don't make a huge distinction between comedy and drama. I think the whole point is just trying to be as honest, from moment to moment, as you can be. If you're honest about the material, and the material is ridiculous, then you're in a comedy.
There is a lot of snobbery towards pop music, to me and pop in general - it's kind of a despised art form.
I think, in life, we're vulnerable, or human beings are vulnerable, or men are vulnerable. I think it's just a question, you know, choosing when you let that mask slip off, which I think all men do - they just usually don't do it in front of people.
I value above all the ability of art to move me emotionally and psychically, without answers. I make art that makes me question, that derives its power from being vulnerable to interpretation, that is intuitive, that is beautiful.
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture.