A Quote by Murasaki Shikibu

Beauty without colour seems somehow to belong to another world. — © Murasaki Shikibu
Beauty without colour seems somehow to belong to another world.
There's this saying: in an all-blue world, colour doesn't exist... If something seems strange, you question it; but if the outside world is too distant to use as a comparison then nothing seems strange.
You belong with me, Scarlett, haven't you figured that out? And the world is where we belong, all of it. We're not home-and-hearth people. We're the adventurers, the buccaneers, the blockade runners. Without challenge, we're only half alive. We can go anywhere, and as long as we're together, it will belong to us. But, my pet, we'll never belong to it. That's for other people, not for us.
One must somehow find a way of loving the world without trusting it; somehow one must love the world without being worldly.
Sometimes I can see colour without opening my eyes. I saw that Billy's heart was no colour and every colour. Like water or diamonds or crystals, it's pure and reflects the light.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
The world doesn't belong to us, we belong to it. Always have, always will. We belong to the world. We belong to the community of life on this planet--it doesn't belong to us. We got confused about that, now it's time to set the record straight
Suppose you stand on a high place to enjoy the beauty of the sparkling sea below. You need do nothing to create that beauty; you need only BE IN THE SAME PLACE WHERE IT IS, and let nature do the rest. So it is with the inner life. There is nothing we can DO to gain psychic beauty. It already exists without our effort. We need only be where we belong, that is, in self-union. Then, beauty IS.
The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.
Grey is a colour that always seems on the eve of changing to some other colour.
The colour of the water seems to be the colour of the glass into which it has been poured'.
I also see the world of religion. I see some of my brothers and sisters trying to be religious without being fully human. They seem a little rigid and narrow at times, wanting to be holy, but not human. They seem to be winning a place in heaven, without realizing or enjoying the beauty of earth. They keep the ten commandments, but their observances look so joyless. Such a world seems small and the air in that world is stale.
The further limits of our being plunge, it seems to me, into an altogether other dimension of existence from the sensible and merely understandable world. Name it the mystical region, or the supernatural region, whichever you choose. So far as our ideal impulses originate in this region (and most of them do originate in it, for we find them possessing us in a way for which we cannot articulately account), we belong to it in a more intimate sense than that in which we belong to the visible world, for we belong in the most intimate sense wherever our ideals belong.
There is a brain mechanism that works to identify colour differences directly, without first identifying the absolute colour of each surface. So on my view there is no reason to suppose anything like ten million colour responses to surface viewed singly.
I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil.
Without beauty a girl is unhappy because she has missed her chance to be loved. People do not jeer at her, they are not cruel to her, but it is as if she were invisible, no eyes follow her as she walks. People feel uncomfortable when they are with her. They find it easier to ignore her. A girl who is exceptionally beautiful, on the other hand, who has something which too far surpasses the customary seductive freshness of adolescence, appears somehow unreal. Great beauty seems invariably to portend some tragic fate.
And yet--it is not beauty that inspires the deepest passion. Beauty without grace is the hook without the bait. Beauty, without expression, tires.
This site uses cookies to ensure you get the best experience. More info...
Got it!