A Quote by Muriel Spark

The true novelist is one who understands the work as a continuous poem, is a myth-maker, and the wonder of the art resides in the endless different ways of telling a story.
There are many different ways of telling an interactive story, I think. I don't think there's a right one and a wrong one. There are different games telling different types of stories in different ways.
The Wonder Woman that you see in 'Batman v Superman' is a woman who has been around, and she's very experienced. She understands a lot about man. Whereas, in the standalone movie, we are telling the grown-up story, Diana becoming Wonder Woman, and this was a story that was never told before.
Actually, a myth is a story that is not just not true, but it's a story that is especially true. And I think the myth of Jesus is especially true.
The artist's work, it is sometimes said, is to celebrate. But really that is not so; it is to express wonder. And something terrible resides at the heart of wonder. Celebration is social, amenable. Wonder has a chaotic splendor.
Lucky accidents seldom happen to writers who don't work. You will find that you may rewrite and rewrite a poem and it never seems quite right. Then a much better poem may come rather fast and you wonder why you bothered with all that work on the earlier poem. Actually, the hard work you do on one poem is put in on all poems. The hard work on the first poem is responsible for the sudden ease of the second. If you just sit around waiting for the easy ones, nothing will come. Get to work.
I think of mythology as the homeland of the muses, the inspirers of art, the inspirers of poetry. To see life as a poem and yourself participating in a poem is what the myth does for you.
Art demands persistent work, work in spite of everything, and continuous observations. By persistent, I mean not only continuous work, but also not giving up your opinion at the bidding of such and such a person.
Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience.
Playing with different genres and perspectives and ways of telling stories is one of the perks of being a novelist, but at the same time, I want precision. And in order to be precise about stuff, you have to get personal. Symbolism is very boring.
Telling ourselves that fiction is in a sense true and at the same time not true is essential to the art of fiction. It's been at the heart of fiction from the start. Fiction offers both truth, and we know it's a flat-out lie. Sometimes it drives a novelist mad. Sometimes it energizes us.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
The true work of art continues to unfold and create within the personality of the spectator. It is a continuous coming into being.
I'm not the go-to guy. Everybody is trying to tell their story and have different ways of telling it.
I was working within a figurative representational framework, and there was a sense of reading the painting as a transparency, or truth, or autobiography, which I think is partially the burden of artists of color - or women, or anybody who is representing a so-called minority position. Are you actually telling a true story, or your own story? You don't just get to tell a story. The readings of the work didn't necessarily conform to my own understanding of mythology, where violence and eroticism and the body and all of these different forms coexist all the time.
I wonder what it is that the people who criticize me for telling this story truly object to: is it that I have dared to tell the story? Or that the story turns out not to be the one they wanted to hear?
I'm just trying to make the point that the story we're telling ourselves is often very different from the story we're telling the people around us.
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