A Quote by Murray Gell-Mann

Hugh Everett's work has been described by many people in terms of many worlds, the idea being that every one of the various alternative histories, branching histories, is assigned some sort of reality.
As a historian I understand how histories are written. My enemies will write histories that dismiss me and prove I was unimportant. My friends will write histories that glorify me and prove I was more important than I was. And two generations or three from now, some serious sober historian will write a history that sort of implies I was whoever I was.
I think there's a general confusion that my work is about types of photography. But really that's just a tool to introduce some questions I have about seeing. What happens when all of these conditions and structures and histories and cultures and tools you have around you begin to fail? On the one hand there is an engagement with histories and cultures, and on the other, there is this very lonesome space of actually coming to terms with seeing.
I started reading the big histories and the small histories, the memoirs and so forth. At some point, I found the diary of William E. Dodd.
If we look at the way the universe behaves, quantum mechanics gives us fundamental, unavoidable indeterminacy, so that alternative histories of the universe can be assigned probability.
As historians write more and more histories, it's a sort of self-fulfilling prophecy that other historians read their histories and then make synthesis, and certain things just get forgotten and left out and neglected.
I've been making 16mm urban landscape films about San Francisco for many years. I choose different nonfiction themes to investigate and am generally interested in surfacing lesser-known histories. I like to investigate and illuminate these histories, combining them with my own unconventional storytelling style, which is generally a stream-of-consciousness voiceover involving a steady stream of personal reflections on pining over unavailable women.
The histories of mankind are histories only of the higher classes.
I find diplomatic histories the dullest of histories.
I was endorsed by many corporations to work with their people. Since I had several hundred successful case histories, I realized that it was really valuable and everybody should have access to the information, so I started teaching seminars to groups of people.
Histories used often to be stories: the fashion now is to leave out the story. Our histories are stall-fed: the facts are absorbed by the reflexions, as the meat is sometimes by the fat.
... the histories of Blacks and Jews in bondage and out of bondage, have been blood histories pursued through our kindred searchings for self-determination. Let this blood be a stain of honor that we share. Let us not now become enemies to ourselves and to each other.
The histories of vampires and people are not so different, really. How many of us can honestly see our own reflection?
Artists are those people who sit at the intersection between the known and unknown, the rational and irrational, coming to terms with some of the confusing histories we, as artists, deal with.
Havana is a uniquely complicated city and contains a great many histories.
Children who have been very sadistically abused over the long-term are able to dissociate, some of them are able to dissociate as a way of surviving and inventing someone to whom this doesn't happen. And so therefore, they invent within themselves different personalities who have life histories of their own. Many people invent an opposite gender personality as well.
A number of aspects of mathematics are not much talked about in contemporary histories of mathematics. We have in mind business and commerce, war, number mysticism, astrology, and religion. In some instances, writers, hoping to assert for mathematics a noble parentage and a pure scientific experience, have turned away their eyes. Histories have been eager to put the case for science, but the Handmaiden of the Sciences has lived a far more raffish and interesting life than her historians allow.
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