A Quote by Murray Kempton
To be a gentleman is to be oneself, all of a seam, on camera and off.
Related Quotes
But let's speak of art for a moment. Yes, art. I know a gentleman who makes excellent portraits. This gentleman is a camera.
I felt a Cleaving in my Mind- As if my Brain had split- I tried to match it- Seam by Seam- But could not make it fit.
When you're spinning a two-seam, getting on the side of the ball to get more run or sink can be good, but it can really be detrimental to your four-seam.
When you are interviewing someone, never let your camera person turn off the camera. The second you turn off the camera, they'll say the magic thing that you'd been looking for the whole interview. People want to relax after the performance is done. Don't be afraid of awkward silence. That is your friend.
Cleaning up that lack of the definition between the two, and then leaning on the four-seam, having it become my primary fastball over my two-seam, it's just benefited me as a whole.
A lady is smarter than a gentleman, maybe, she can sew a fine seam, she can have a baby, she can use her intuition instead of her brain, but she can't fold a paper in a crowded train.
What's cool is that Oprah is the same person on stage and in front of a camera as she is off stage and behind the scenes. She speaks the same way on camera as she does off camera.
What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
Those first few overs are obviously the most difficult time because you don't know what the ball is going to do in the air and off the seam.
I think I've spent more time in front of a camera than off camera. That's just the way it is.
The less friendly your relationship is on camera, the more useful it is to be friends with them off camera.
The thing that made 'M*A*S*H' so good was the fact that we did have those relationships off-camera and took them on-camera.
When I put the camera back to my eye, I noticed a particular guardsman pointing at me. I said, "I'll get a picture of this," and his rifle went off. And almost simultaneously, as his rifle went off, a halo of dust came off a sculpture next to me, and the bullet lodged in a tree. I dropped my camera in the realization that it was live ammunition. I don't know what gave me the combination of innocence and stupidity... but I never took cover.
Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."
I've worked with actors who treat the first two takes like rehearsals. And that's okay. If the camera is on you and we're doing a scene where I'm off camera, I'm treating that as a rehearsal.
The current disfavor into which socialism has fallen has spurred.... the frenzy to proclaim oneself a liberal. Many writers today have recourse to the strategem of inventing for oneself a liberalism according to one's own tastes and passing it off as an evolution from past ideas.
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