A Quote by Mustafa Ali
I was that 16-year-old who loved WWE, and I wanted to be a pro wrestler, but I didn't understand why I had to be the bad guy. I wanted to be like Jeff Hardy - I wanted to be like Rey Mysterio - but I was told I had to be the guy who screamed terrible things about America and attack people from behind.
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Even when I was a young kid, I always told my uncle that, when I became a wrestler, I wanted to be Rey Mysterio, Jr. and I wanted to wear the mask. I always pictured myself wearing a mask. I dreamed about it for so long. I wanted to be one of those luchadores who wore the mask, the cape, and the fancy outfits.
People at WWE would say, 'It doesn't matter if you're the best wrestler,' but I would think about Dean Malenko and Chris Benoit and Rey Mysterio. They weren't necessarily the greatest talkers, but they were great wrestlers. I wanted to be that person.
I always had fun with my great friend Rey Mysterio Jr. I think it would be fantastic to have my very last match against someone like him because my very first match in WWE was against Rey Mysterio Jr. I know that all the pro wrestling fans, in particular the Mexican fans, would love to see Rey Mysterio against me for my very last match.
When I was 16, I knew I was gay. I loved a lot. But I lived as a straight guy, because there are people in my town who don't understand my story. I never told. I never wanted to show what was inside my heart.
A guy who I always said was my favorite wrestler is Rey Mysterio.
When you grow up in New Orleans, like, the only way to be an artist is to be a 55-year-old black musician. That's basically what we wanted to be. If you had asked me very truthfully what I wanted to be when I was 16, the answer would've been, 'I want to be a 55-year-old black musician.'
I used to live with my grandmother. I used to wonder why the other kids in school went home with their mothers and fathers. I wanted to be the guy that got married. I wanted to be the guy with the children and the white picket fence. I never had that.
I was 18, and I either wanted to go to university in the States, and experience it like how it is in the movies - you know, date a cheerleader, be the coolest guy on campus - or I wanted to take a year and focus on what I wanted to do. I got into all the universities I applied to, but I took a year off anyway and said, let's see what happens.
There was a show in Germany called Beat Club, and they had a lot of bands playing live. And I had this master plan, at 11 years old, I wanted to play electric guitar, but I knew... We lived in a small apartment, there was no way that was going to happen. I told my parents I wanted a classical guitar and I wanted to start studying classical guitar. So then a few years later, I think around 16 or so, I started playing electric. But that was my, my plan as an 11 year old. I thought I was so crafty.
I liked working with Republicans. We had five pretty good years after we had that bad year in '95 that culminated in two government shutdowns. But then they really decided that they liked being in the majority for the first time in forty years, and they wanted to get some things done, and I agreed, to get things I wanted. It was all perfectly transparent. Everybody knew what they wanted and what I wanted.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
Full House was a show that was done for ten-year-olds. The critics hated it. They said terrible, terrible things about it. But it should have been reviewed by ten-year-olds. That's who it was made for. They loved it. And if they loved it, great. Why the hell does a fifty-year-old guy working at a big newspaper have to tell me I'm a piece of crap?
People wanted to see Rey Mysterio and PsIcosis in a match, and we had such a great chemistry. I don't think there was anyone at that time who could match what we were bringing to the table.
Since I was old enough to understand what a songwriter/producer is, I've had a curiosity about how Max Martin creates what he creates. I wanted to see that happen. I wanted to be there. I wanted to learn from him.
I loved wrestling, and I wanted to go out and entertain people and all that stuff, so I get trained, and when they decided, 'Hey, you're ready for a match, and you've got to start thinking about a character,' I was thinking this guy and this guy, and they go, 'No, no, no - you're a Muslim. You've got to be a bad guy.'
Her family had no such ties. She was able to forge her way into that world. And then to those people, the idea of going to Arkansas, if you're gonna stop and think about it, you don't do it. It wouldn't have made any sense. It's like going to Mississippi. Why would you go to Alabama? You wouldn't go. You wouldn't... That would be throwing your life away! [...] For some reason, Hillary Clinton wanted to latch on to this guy [Bill Clinton] - and for some reason, this guy wanted her to latch on to him.
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