A Quote by Mustafa Ali
I do this maneuver, my finishing maneuver. It's called the 054, and it's a 450 splash, but it's going backwards. I know my opponents aren't going to be thrilled to hear this, but I don't know what I'm doing up there. I literally close my eyes, and I just jump, and my body just takes over, and thankfully I haven't hurt anybody.
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I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
I had already just sort of decided okay it's just never going to happen. So when they - when my name was called it was an out of body, you know, just glorious moment. It shouldn't mean that much. But, you know, I'd be lying if I didn't say that it meant the world to know that my peers appreciated what I was doing.
If I do hit that rope and do a hop, skip and a jump and get up as high as I can, I'm just going to hold my breath, because I know i'm going to hear all kinds of scar tissue popping.
If you're choking in a restaurant you can just say the magic words, 'Heimlich maneuver,' and all will be well. Trouble is, it's difficult to say 'Heimlich maneuver' when you're choking to death.
Battles are won by slaughter and maneuver. The greater the general, the more he contributes in maneuver, the less he demands in slaughter.
Nothing is more difficult than the art of maneuver. What is difficult about maneuver is to make the devious route the most direct and to turn misfortune to advantage.
Snowboarding is skateboarding without the wheels, just on snow. It's the same thing, just that one is on hard ground with the wheels, the other is on snow. You just have to know how to maneuver your board and do things you want to do.
Something that I've told all of my young artists is, there are going to be haters. You're going to read things that are going to hurt you. It's not going to make any sense. Just know that it's out there and that it's really easy to just press 'delete.'
The last album, 'Falling Faster Than You Can Run.' I was really proud of, but then I didn't actually know whether it was going to come out on any label at all. So I didn't know if anyone was going to hear it. Then of course we ended up doing another EP after that called 'Closer.'
A lot of times, when doing the paranormal research and doing an investigation, you don't know what you're going to encounter. You don't know what you're going to come up against. People have to realize that we don't know them and they don't know us. I'm talking about the people that live in the homes. Sometimes you don't know what you're going to encounter, what type of situation you're going to walk into.
It's not that I'm not a horror fan, it's just that the horror scripts I've been sent have been rubbish and obvious. Because they usually are in horror films - it's just about scare factor. You're always one step ahead, you know who's going to die first, you know who's going to survive, you're going to get a jump every twenty minutes.
I don't know why I am liked. I think it's probably because I've just been normal, not been flash or tried to hurt anybody. I'm not one for going out and going to nightclubs. I'd rather stay in and watch a good movie.
I grew up in a really bad situation; my father left when I was young - you know, an abusive situation. So the minute I put my fingers on a guitar and closed my eyes and just played, it literally was like a drug. It took me into a totally different world, and I just pulled from emotions and experiences that I was going through.
I'm just going about my business. Am I going to bend over backwards to assure everybody that I'm a good guy? No, I'm not going to do it.
As an actor, I don't know what I'm doing. I've never known what I was doing. I show up the first day, I'm scared, and I just hang out. It's like being in detention - you just wait for it to be over. Then gradually I start to figure out what's going on.
There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.
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