A Quote by Mustafa Kemal Ataturk

To write history is as important as to make history. It is an unchanging truth that if the writer does not remain true to the maker, then it takes on a quality that will confuse humanity.
You frantically want to make a mark on the history of humanity? You, King of the Fools! In the very distant future, there shall be no history; there shall remain not even a single trace of anything!
I'm convinced the true history of our time isn't what we read in newspapers or books...True history is almost invisible. It flows like an underground spring. It takes place in the shadows, and in silence, George. And only a chosen few know what that history is.
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
History knew the truth. History was the most inhuman product of humanity.It scooped up the whole of human will and, like the goddess Kali in Calcutta, dripped blood from its mouth as it bit and crunched.
(on A History of Western Philosophy) I was sometimes accused by reviewers of writing not a true history but a biased account of the events that I arbitrarily chose to write of. But to my mind, a man without a bias cannot write interesting history - if, indeed, such man exists.
I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.
History should not be left to the historians. Rather, be like Churchill. Make history, and then write it.
If you are serious, and you want to make a living as an author, then you need to hustle. Period. If you can't make that quality, then you need to concentrate on your craft and practice more. One other thing, quality comes with practice. If you are prolific, then you become a better writer because you are writing. The more you do anything the better at it you will become. So in a way, quantity does add to quality.
What they teach you as history is mythology and true mythology is far from fantasy -- it is our true history. A bulk of our real history can be found in Egyptian and Greek mythology. Yes, myths reveal to us worlds of other dimensions that make up our true reality. History books teach us that the minds of the past operated on the same frequency, dimension, or level of consciousness as we do now. Not true at all.
A big, spectacular thing can frequently be accomplished quickly. Quality usually takes longer. Fanfare and fireworks are not part of quality; therefore, only those who know true values are attracted to it. But when fanfare and fireworks are over, quality will remain.
What makes a good writer of history is a guy who is suspicious. Suspicion marks the real difference between the man who wants to write honest history and the one who'd rather write a good story.
Imagination, whatever may be said to the contrary, will always hold a place in history, as truth does in romance. Has not romance been penned with history in view?
if I love something I do it, and if I don't, I don't. I think that this is the most important choice that any of us can make in life, in art, in history: to do the thing you love. If you love it, it is important. If you love it then while you are doing it, you are a true expression of yourself and your time and your story. You are authentic. If you don't love it you betray not only yourself but also your history, your culture, your position in your society.
The true makes of history are the spiritual men whom the world knew not, the unregarded agents of the creative action of the Spirit. The supreme instance of this-the key to the Christian understanding of history-is to be found in the Incarnation- the presence of the maker of the world in the world unknown to the world. ... The Incarnation is itself in a sense the divine fruit of history-of the fullness of time-and it finds its extension and completion in the historic life of the Church.
History is not truth versus falsehoods, but a mixture of both, a mélange of tendencies, reactions, dreams, errors, and power plays. What's important is what we make of it; its moral use. By writing history, we can widen readers' thinking and deepen their sympathies in every direction. Perhaps history should show us not how to control the world, but how to enlarge, deepen, and discipline ourselves.
Humanity is creating an extinction event that will make every war ever fought a footnote to history. We belong to the only generation in history that can turn this around - we're one step away from greatness or the biggest disaster since the meteor wiped out the dinosaurs.
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