A Quote by Mustard

When we came out, they just labelled us 'ratchet music' cos we said 'ratchet' a lot. Ratchet means that's it's ghetto, but I would just call the music we're making just good music.
'Ratchet' has a lot of meanings. You can be a bad ratchet or a good ratchet. You can have fun, be ghetto, and get ratchet.
By and large, the making of motion pictures is all about, 'Let's ratchet it up.' And I always think, 'We don't need to ratchet this up.' If you do, don't call it 'Captain Phillips' or 'The Maersk Alabama.' Call it something else, and then you have carte blanche to do anything, down to sea serpents and aliens.
I don't want to be known for only making ratchet music.
I like a lot of ratchet, trap music. Definitely 21 Savage. We need some music like that. ManMan Savage. A lot of the Atlanta scene. But Philly, too.
Too often, executive compensation in the U.S. is ridiculously out of line with performance. That won't change, moreover, because the deck is stacked against investors when it comes to the CEO's pay. The upshot is that a mediocre-or-worse CEO - aided by his handpicked VP of human relations and a consultant from the ever-accommodating firm of Ratchet, Ratchet and Bingo - all too often receives gobs of money from an ill-designed compensation arrangement.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
I like to think that everything I do is tastefully done and doesn't come off necessarily like ratchet or something that tears women down. I like to make tasteful, seductive music.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
Being an only child, you just have a lot of time on your hands, figuring things out. Just doing music, man - music just came to me.
To show a different side on 'Love & Hip Hop' and bring some validity to it and not just be ratchet, messy or whatever the case may be, it was cool to be that guy, not just from a fan standpoint but an artist standpoint.
I linked up with Swishahouse when I was 17 or 18, and was a child through most of my first few records. The music wasn't childish or corny but you could see it was from a place of a child - somebody that was a little more ignorant or ratchet. Now that I have kids, there's a bigger sense of responsibility.
I really think there are two genres of music: good music and bad music. And I'm just trying to be on the side of making good music.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
For a long time a lot of people thought New Orleans wasn't a safe place and that it was very ratchet.
I just wanted to make good music that people related to me and said 'Yo that guy makes good music. When he gives us an effort, it's good music behind it. It's great lyrics, it's witty punchlines, it's great metaphors.'
I'm a West Coast ratchet L.A. artist.
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