A Quote by Mustard

I don't want to be known for only making ratchet music. — © Mustard
I don't want to be known for only making ratchet music.

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When we came out, they just labelled us 'ratchet music' cos we said 'ratchet' a lot. Ratchet means that's it's ghetto, but I would just call the music we're making just good music.
'Ratchet' has a lot of meanings. You can be a bad ratchet or a good ratchet. You can have fun, be ghetto, and get ratchet.
By and large, the making of motion pictures is all about, 'Let's ratchet it up.' And I always think, 'We don't need to ratchet this up.' If you do, don't call it 'Captain Phillips' or 'The Maersk Alabama.' Call it something else, and then you have carte blanche to do anything, down to sea serpents and aliens.
I wouldn't have known when I was a teenager that when I was coming up to being a sixty-year-old woman that I'd be making music, I'd be recording music, talking about music, and incorporating my views on the world into the music-making. So it's a very rarefied place to be, and I'm very grateful for that.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
It's never been about what we want others to see: it's about what we want to see; it's about what we want to do. We only have a career because of our fans, but we have to keep making music for the reason we started making music.
I do not want to be bored listening to music that is muffled and known only to the poet himself.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
I don't want people to expect the hard tracks to continue my whole career. When I started making music, I wasn't making music like that.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
It was the case in the 70s and 80s that people believed music could change the world. But now people aren't making music because they want to change the world; they're making music because they want to just make a ton of money.
Christ is known only by them that receive Him into their love, their faith, their deep want; known only as He is enshrined within, felt as a Divine force, breathed in the inspirations of the secret life.
I don't want to be known as an item dancer. I want to be known as an actress only.
I actually only started listening to house music around the time I started making it. I got hooked both to making music and to house music.
I don't fake my music. If I want to be known for anything it's for creating honest music. Noting is fake or will ever be fake about the lyrics and pain in my music. My music I live it.
I like a lot of ratchet, trap music. Definitely 21 Savage. We need some music like that. ManMan Savage. A lot of the Atlanta scene. But Philly, too.
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