A Quote by Mustard

Apart from working on music, I'd rather play big festivals than almost anything else. — © Mustard
Apart from working on music, I'd rather play big festivals than almost anything else.
Music's always been a big part of my life, but it kind of all happened in one big ball of storytelling rather than splitting acting and singing apart.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
The thing that interests me far more than anything is creating music, songwriting and arranging, and in that context drumming itself is a means to an end. I think it's really easy to forget that - I'd sooner play something musical than flash, and as I can't play anything flash, I try to be musical. Drums can set a mood, create an impression, as much as anything else.
There's just a completely different vibe at festivals. Everyone gets to hang out and enjoy their favorite music all day. I really do try and play as many festivals as possible!
I'd rather go to school and do loads of music than anything else.
I always wanted to play festivals more than anything in Scotland.
At times, I think, 'What would I rather be doing than music?' That's what you have to ask yourself, if you feel like you need to be somewhere else... But there's nothing else I want to do more than music. That's why I stay in the booth.
A dissection of music perception and creation that starts slowly and inexorably builds to a grand finish. I loved reading that listening to music coordinates more disparate parts of the brain than almost anything else--and playing music uses even more! Despite illuminating a lot of what goes on this book doesn't "spoil" enjoyment- it only deepens the beautiful mystery that is music.
The conversation of how you do a play is my favorite conversation in the whole wide world: what a play is, why it's different than anything else, the math of the way that human behavior has to be calibrated theatrically versus anything else.
That's what I'd rather be doing more than anything. I love to play and perform and write, record, do whatever - just stay in music.
The music was great for teaching about human nature. but I couldn't do any instruments or play anything. I like to sing. I'd rather sing than eat, but most people would rather hear me eat.
Finally, ultimately, you write music for yourself. I mean, I need a public, I need people to play, I need everything else. I'm not working in isolation. But finally the man that writes the music is alone. And I have to respond to those criteria which are almost like inner needs or inner responses.
I'm the kind of person [who] when I'm doing a play, and even when I'm working, I don't do anything else. When I'm working, I just work.
I'd rather play with 10 people and just get penalized all the way until we have to do something else rather than play with 11 when I know that right now that person is not sold out to be a part of this team.
It's never been easy. But I've always wanted to play hockey. I love hockey. I'd rather play hockey than do anything else. If you have that kind of desire, I think you can achieve what you want to achieve.
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