A Quote by Mustard

With me and YG, he could rap a hook, and I could make a beat around it. Ten minutes, we done. — © Mustard
With me and YG, he could rap a hook, and I could make a beat around it. Ten minutes, we done.
No American can understand the need for time -- that is, simply space to breathe. If you have ten minutes to spare you should jam that full instead of leaving it -- as space around your next ten minutes. How can anything ripen without those 'empty' ten minutes?
The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.
I could never be a distance runner, because I can't run for more than ten minutes. There aren't enough iPod gigabytes in the world to make that worth it for me.
Imagine what I could have done in ten years. I could have learned to speak Japanese. I could have played every RPG video game ever created, and if I spoke Japanese I could have played the foreign ones too! Man, I could have built a spaceship in my backyard and flew it to the moon and back, if I wanted.
With eight minutes left, the game could be won in the next five or ten minutes.
Ten minutes are not just one-sixth of your hourly pay; ten minutes is a piece of yourself. Divide yourself into ten units and sacrifice as few of them as possible in meaningless activities. Most things still remain to be done.
When people have no interest in a subject, it's very hard to get them to laugh about it. If I had to write ten jokes about potholders, I don't think I could do it. But I could write ten jokes about Catholicism in the next twenty minutes.
My dad used to play every other weekend with me when I was young. I started getting better, but he could always beat me. Then one day, he realized the jig was up. And he stopped playing me just before I could beat him.
I didn't have to sell my soul for money. I didn't have to go through trap music; I could just help Ye write songs and get money from it. So I knew when I put my album out I could just be myself. Not saying I won't do a trap beat or rap over one, but that's just not what makes me. That's not all of CyHi.
Usyk could beat me - he's beaten better than me, so he could beat me - but I just don't think he will, and I will find a way.
He could rush the passer, he could bull you, he could beat you speed inside and quickness. Those are long days when you had Michael Strahan lining up right over your head for 60 minutes, because most defensive ends are good at one or the other. Michael was really good at both.
I created a paradigm by which I could succeed, and up until recently it was the only way I could do it. I could not take the brunt of standing in the light of my own work. There was a Faustian bargain I could not make. I could have you mock me for wearing funny clothes that I could deal with. But I couldn't deal with actually standing in the light of my own musical power. That's the difference now. It's like, okay, no more of that, you're done.
I want to be able to say that a rap career could be ten albums.
It wasn't until 9th grade that I got into music. This guy in school heard me singing around the hallway to girls and stuff. The girls liked it. One day, he was like, 'Come to my crib. I got a studio. Come and record a hook for me.' I recorded the hook on the 'Lovers & Friends' beat - Usher.
I feel sure that the police are helping us more than I could do in ten years. They are making more anarchists than the most prominent people connected with the anarchist cause could make in ten years. If they will only continue I shall be very grateful; they will save me lots of work.
If there is anything that I could get you to do, it would be to spend ten to fifteen minutes each morning planning your day. If I could get you to do that, you'd not only scare yourself, you'd intimidate everybody on your block.
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