A Quote by Mya
To take a whole load for a whole album on yourself is very challenging and kind of hard to execute when you don't have a reputation as a producer. If you do it for fun, you get a good outcome.
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We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.
If you go away on location for three months and your wife stays at home, you've made a whole new load of friends and she's made a whole new load of friends and you get home and you're kind of strangers.
It's kind of hard to enjoy the film when you are watching yourself the whole time. But you do get on with it and try and appreciate everything else about the movie. At least that's what I do. It depends on how fresh in my memory the whole experience is.
Self-examination - when the whole world around you is pressuring that and challenging you - is very, very hard. Looking at a whole structure - in my case, let us say of snobbery, basking in certain privileges, marks of what appear to be superiority - that's ugly to look at.
Because at the end of the day, you really only have one reputation and one shot, and once you kind of get that bad reputation and don't have some good results, then it's kind of over. It's really hard to build it back.
The fun of being a supervisor is that you kind of get to shape the film as a whole rather than crafting a complete scene. I can't really think of one in particular that I feel like I own, except for a couple shots that I animated, which is fun. But feeling like you contributed to the whole is the most satisfying thing.
Sometimes fake laughing is hard once you've done a scene 18 times. I don't want to brag, but I have a reputation for being very, very good at that. It's funny finding what's challenging about acting as you go.
Sometimes fake laughing is hard once you’ve done a scene 18 times. I don’t want to brag, but I have a reputation for being very, very good at that. It’s funny finding what’s challenging about acting as you go.
If I sample a song, I usually make samples out of the whole album. Then I move on after that. Doesn't mean I'm going to release that whole album, but I do that.
I definitely consider 'Poses' - the whole album in fact - to be kind of a miracle. Like the last breath of that moment when decadence is healthy, 'Poses' encapsulates that feeling. It's a kind of song and a kind of album that I'll never be able to repeat.
The whole 'American Idol' way of looking at things is the antithesis of what I grew up with. There are a whole lot of kids wanting to be famous now, whereas if I'd even mentioned that word to one of my teachers, I would have got into a whole load of trouble.
The chief consideration for a good painter is to think out the whole of his picture, to have it in his head as a whole... so that he may then execute it with warmth and as if the entire thing were done at the same time.
I like releasing singles because I can get them out there quickly and it's based on the changes, the sounds that are going on all around the world that I'm hearing and just a whole different bunch of influences which is sometimes hard to get across on an album because it can take a few months or a year to come along.
Unless you want to carry the whole load yourself, you need to be developing leaders.
Voicing acting is usually fun. I'm very curious about that world. I'm a fan of documentaries, as well, and the voice kind of makes it right. Mostly for me, though, it's all about the acting -you don't have to get hair and makeup and the whole bit. You just can have fun with the acting.
Reading a play, you view yourself as part of a whole. You see where the whole thing is going, and so you're willing to go to the very ugly place that your heart may go in order to serve the whole.
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