A Quote by Myles Garrett
I want the single-season sack record.
Related Quotes
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
I want to have an impact on the game. Instead of a sack, how about an interception for a touchdown? I could get 15 tackles. I'm just using those as examples, but any kind of impact would be fine, whether it's a sack or anything else.
We were playing a fair, and a few people were handing me stuffed animals and flowers, but one person handed me a paper sack. So I took all the stuff back to the bus. I put the sack in my lap and opened it, and a live iguana jumped out of the sack and onto my shirt. I screamed like a little girl!
Better to have a single perfect diamond than a sack of flawed stones.
I still find time to record during the season. Offseason, I record every day until 7 A.M. - all night.
I think every single girl you face is good at handling pressure. That's part of why they're successful on a regular basis from season to season and over a lot of years.
A sack that can contain a person's greed...doesn't exist in this world. If your hearts not content, no matter how much you put in the sack, it's never enough.
Whatever you do, do it with all your might. Work at it, early and late, in season and out of season, not leaving a stone unturned, and never deferring for a single hour that which can be done just as well now.
People don't understand the kind of fight it takes to record what you want to record the way you want to record it.
Just want to set the record straight. I'm single and I'm not going to get married!
If you ask any lady they want to be taller, they want to be slimmer, you know, and they want a waist. I'm not here to make people look like a sack of potatoes.
I wrote half the record in 2002, which basically concluded with us releasing "Baby's Got A Temper," the last single. I think after the disappointment of that record for myself with the lack of energy and the way the record came out, I would say that was probably the low point of The Prodigy.
Whenever you're blessed and given a second season, you can really let the characters evolve. That first season, you're setting everything up. It's background, where they're coming from, what they want to do. And then you get to marinate in it that second season.
The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
I've always said at the beginning of every single season of the show when I was running the show in the writers' room, "This is the last season, so let's smoke 'em if we've got 'em."
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
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