A Quote by Myles Garrett

I grew up with Ray Charles playing in the car all the time or playing in the house. — © Myles Garrett
I grew up with Ray Charles playing in the car all the time or playing in the house.
The first time I met Ray, I was going to school around the corner from his house. One day, he was playing the piano. I eased up on the porch to listen to him.
Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.
The church we grew up playing at was not one of those churches known for its music, but it was just this all-around energy that would be happening because, at the same time we'd be playing in church, we'd be playing in the city jazz band under Reggie Edwards.
Because my mother was in love with Bobby Darin, I grew up with his records playing in our house all the time.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
I grew up singing Ray Charles and Jimmy Reed.
I grew up playing with kids who were the kids of people my parents grew up playing with, and they know me like nobody else. I thought everybody was that way when I was growing up, and then I left to go to college, and I realised that the world is full of strangers.
I grew up in the '80s in an era that was tough. The Pistons, Celtics, Knicks, Charles Oakley, Anthony Mason. It wasn't dirty. It was just men playing basketball.
If nothing else, we grew up loving the old blues artists and Ray Charles.
We grew up in an age of playing reserve team football at the stadium. If the first team were playing away, you'd be playing at home, at Highbury, and there would be one man and his dog there. Even though you'd psych yourself up, you still don't get that push.
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
I remember singing around the house to records that were playing. All kinds of music. And the great James Cleveland was often in our house, and I grew up with his sound as well.
If you came to my house and said, "Well, here's the new Katy Perry record," I would give it a listen, but these records are constructed by producers in production houses with no human beings playing on them and it's interesting, but we grew up with human beings playing on records.
My dad plays the fiddle. He stopped playing for years. He was playing when I was a baby, and then he stopped for about five years, or ten years, he says. Then all of a sudden he started playing again, and we all got interested. We started having people like Ciarán Tourish coming up to the house, and Dinny McLaughlin, who taught Ciarán, and who taught myself as well. And it just grew from that
Growing up I've been playing as an attacking midfielder, more central in the midfield. I wouldn't say if I'm most comfortable there but that's where I grew up playing.
Not until somebody turns round and says, 'Art, how do you fancy playing Charles Dickens? How do you fancy playing Prince Charles in this biopic?' Until those movements come, then no, we haven't got past anything.
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