A Quote by Myles Garrett
You played 'Snake' on it. That's what we had a cell phone for, when my mother would let us use it. When you had it, you set it down at the table, you set it down in the other room, we ate, and you enjoyed your time with your family.
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Before, if your phone was busy, your phone was busy. You had no cell phone. Now people work 24/7, their BlackBerry keeps them busy, and e-mail - and when do they have time for other pursuits? When do they have time to be politically active?
I think of Twitter as a messaging system that you didn't know you needed until you had it. Think about when cell phones first started coming out. People said, "Why would I carry my phone around?" And now you'll drive back to your house thirty miles if you forget your cell phone.
Everyone talks about how we're on our phones all the time, but the fact remains that when I'm away on a film set for two months, I can Skype my family. I remember the phone calls my parents had to make when my dad was away for a while when I was younger - that once-a-week expensive phone call! The time pressure on talking to your father!
Most people hate cell phone use on trains; I love cell phone use on trains. What do you want to do, read that report on your lap, or hear about your neighbour's worst date ever?
My parents had bought a video camera for us to film Christmases and other family events. I took it down to the beach, set up a tripod, and I would grab two other friends, and we'd take turns filming and surfing. Then, at the end of the day, I'd go home and I'd make a video for everybody to watch.
My father had a big brick cell phone, before anyone had a cell phone, because he was really just into that kind of thing - communication devices. I grew up between my father's laboratory and my mother's library.
Nut shrugged. "Set had always been Set, for better or worse. But he is still part of our family. It is difficult to lose any member of your family . . . is it not?
I enjoyed playing everywhere, especially my mother's garden and my neighbor's. I loved my kindergarten. We sang songs; we played everywhere and ate lunch. I had a childhood that I would wish for anyone.
I was reading through all these NSA programs that Snowden has revealed, and one of the ones that fascinated me was that smart TVs can be used to look at you in your room. That is totally like the telescreen from 1984. It's not sort of like it, it's not a lot like it, it is it. And the ability of the NSA to turn on your cell phone, even if it's powered down, and listen to you in your home - that's insane to me. People had been warning that 1984 was just around the corner. Well, it has arrived, and Snowden has proven that.
When you will, make a resolution, set your jaw, you are expressing an imaginative fear that you won't do the thing. If you knew you would do the thing, you would smile happily and set about it. And this fear (since the imagination is always creative) comes about presently and you slide down into the complete slump of several weeks or years - the very thing you dreaded and set your jaw against.
We predicted the concept of a telephone that isn't tied to a wall or a desk. We anticipated that everyone would have a cell phone. We joked that when you're born you would be assigned a cell phone and if you didn't answer you had died.
As our voices rise in protest, the NSA monitors your every phone call. if you have a cell phone, you are under surveillance. I believe what you do on your cell phone is none of their damn business.
When I was a kid, phone calls were a premium commodity; only the very coolest kids had a phone line of their own, and long-distance phone calls were made after eleven, when the rates went down, unless you were flamboyant with your spending. Then phone calls became as cheap as dirt and as constant as rain, and I was on the phone all the time.
I invite you to sit down in front of your television set when your station goes on the air . . . and keep your eyes glued to that set until the station signs off. I can assure you that you will observe a great wasteland.
Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."
Be prepared to cut your little extra lines that come after a big punchline and move on to the next joke or routine to give your set more punch and crispness. You can keep them in your set, but if the audience applauds your big line, don't do your tag when it dies down, just move on.
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