A Quote by Myles Garrett

I want to be a paleontologist, whether it's amateur or professional. And I want to be a humanitarian. — © Myles Garrett
I want to be a paleontologist, whether it's amateur or professional. And I want to be a humanitarian.
The difference between an amateur and a professional is in their habits. An amateur has amateur habits. A professional has professional habits. We can never free ourselves from habit. But we can replace bad habits with good ones.
As an amateur, you may envy the professional, wishing you could combine business with pleasure into a kind of full-time hobby, using professional equipment and facilities. However, the professional knows that much of the hidden advantage of being amateur is the freedom you have to shoot what and when you like.
Whether you want more money, whether you want more fame, whether you want more attention, whether you want a bigger house, whether you want a bigger contract, whatever it is you want, you have to win your next fight. That's it.
The humanitarian wishes to be a prime mover in the lives of others. He cannot admit either the divine or the natural order, by which men have the power to help themselves. The humanitarian puts himself in the place of God. But he is confronted by two awkward facts; first, that the competent do not need his assistance; and second, that the majority of people positively do not want to be "done good" by the humanitarian. Of course, what the humanitarian actually proposes is that he shall do what he thinks is good for everybody. It is at this point that the humanitarian sets up the guillotine.
There will be this mix of people like me who write for major national newspapers and amateur critics, practitioner critics, whose primary way of distributing what they talk about is through blogs and on the web. The line between professional and amateur criticism will become increasingly blurred. The problem here is that if you want to do this for a living, you have to be able to earn a living doing it.
I'm an amateur photographer, apart from being a professional one, and I think maybe my amateur pictures are the better ones.
I think of myself as an amateur filmmaker, not a professional, in the sense that "amateur" means love of something, for the form.
And I want to find a way to be of service to humanity. I think that's crucial. So want to be an artist and a servant, a humanitarian, and I want to play goofy weirdoes.
It's very hard to just have a pure form like a Hulu or a YouTube to be successful in China because our view is, users come to a platform; they really don't care whether it is professional or whether it's a user-generated, or it's premium, you see. They want to come to a big database to be able to find the content they want.
I've been asked often what is the difference between an amateur and a professional artist, and I will tell you. An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
I think doing something of your life is something that you've got deep inside, whether it's to, whether you want to be an astronaut or a, whether you want to do science, or whether you want to be a movie star, or whatever
I think doing something of your life is something that you've got deep inside, whether it's to, whether you want to be an astronaut or a, whether you want to do science, or whether you want to be a movie star, or whatever.
Whether you want to go into music, whether you want to be a lawyer, whether you want to be President of the United States, the bottom line for all of you is that you have got to get your education.
There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don't want to, don't much like what you're writing, and aren't writing particularly well
Every honest researcher I know admits he's just a professional amateur. He's doing whatever he's doing for the first time. That makes him an amateur. He has sense enough to know that he's going to have a lot of trouble, so that makes him a professional.
The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.
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