A Quote by Myles Kennedy

I'm a really big fan of Andy McKee - I think he's an amazing acoustic guitar player, and he's taken the torch from where Michael Hedges left off. — © Myles Kennedy
I'm a really big fan of Andy McKee - I think he's an amazing acoustic guitar player, and he's taken the torch from where Michael Hedges left off.
I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
I actually bought a travel guitar, and that guitar is really cool. You can actually fold the guitar, and you can plug headphones into it, but it's acoustic, or semi-acoustic.
Besides being a guitar player, I'm a big fan of the guitar. I love that damn instrument.
It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.
Michael Bloomfield was the antithesis of a collector ... he didn't care how old a guitar was; all he wanted was something that sounded good when played it ... and he cared nothing about the collectibility of an instrument ... his philosophy was "A good player can make any guitar sound good" ... to Michael, a guitar was just a tool.
Everybody besides my piano player has been with me since the very first day. We were a four-piece band for a solid two years. It was me playing acoustic and rhythm electric guitar, a bass player, a drummer and a lead guitar player. For a couple of years, we sounded like the Foo Fighters.
Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers.
I gave a Collings dreadnought to a young guitar player in the Valley where I live because he didn't have a good acoustic, and he's a terrific player.
I've found that since I've been playing the acoustic, listening to a horn player has left me thinking, well, what can I do with that? But somehow piano players, I feel more of a connection to , now that I'm using the acoustic.
Yeah, Jody [Porter] left. He's a great guitar player. We have a guy named Phil Hurley who is going to go out on tour with us now. I'm not sure if he'll end up as the permanent guitar player, but he's the type of guy who can kind of step in and play anything. He was with the Gigolo Ants before, and he's really good.
I'm a big fan of other guitar players, Duane Allman and tons of them, but I don't really love totally guitar-specific albums.
It's amazing what the acoustic guitar can bring to the picture.
Michael worked one day. Everybody was a little freaked out and nervous because he's a really big star. We were already working with really big stars, but Michael is Michael.
I'm not a big fan of guitar face: you know, when someone's playing guitar, and they make this really embarrassing face, like they smush their lips together and... they look you in the eye, and it's really humiliating.
I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.
So, really, I just try to be the best guitar player I can be - not the best female guitar player, not the best 'X amount of years' guitar player, or whatever - just the best guitar player.
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