A Quote by Myrtle Reed

Death is the advertisement, at the end of an autobiography, wherein people discover its virtues. — © Myrtle Reed
Death is the advertisement, at the end of an autobiography, wherein people discover its virtues.
What is a good advertisement? An advertisement which pleases you because of its style, or an advertisement which sells the most? They are seldom the same.
Yes, one uses what one knows, but autobiography means something else. I should never be able to write a real autobiography; I always end by falsifying and fictionalizing—I’m a liar, in fact. That means I’m a novelist, after all. I write about what I know.
In the end, the art of hunger can be described as an existential art. It is a way of looking death in the face, and by death I mean death as we live it today: without God, without hope of salvation. Death as the abrupt and absurd end of life
Strength, Courage, Mastery, and Honor are the alpha virtues of men all over the world. They are the fundamental virtues of men because without them, no 'higher' virtues can be entertained. You need to be alive to philosophize. You can add to these virtues and you can create rules and moral codes to govern them, but if you remove them from the equation altogether you aren't just leaving behind the virtues that are specific to men, you are abandoning the virtues that make civilization possible.
Very few people have actually had a chance to see the raw material that was going to comprise these three chapters [of Malcolm X Autobiography]. The missing political testament that should have been in the autobiography, but isn't.
Now what is history? It is the centuries of systematic explorations of the riddle of death, with a view to overcoming death. That's why people discover mathematical infinity and electromagnetic waves, that's why they write symphonies.
A proper autobiography is a death-bed confession.
The cruelty of death lies in the fact that it brings the real sorrow of the end, but not the end. The greatest cruelty of death: an apparent end causes a real sorrow. Our salvation is death, but not this one.
To err is to wander, and wandering is the way we discover the world; and, lost in thought, it is also the way we discover ourselves. Being right might be gratifying, but in the end it is static, a mere statement. Being wrong is hard and humbling, and sometimes even dangerous, but in the end it is a journey, and a story.
There is a yearning for people to return to elementary moral virtues, such as integrity and commitment. We distrust people who have no centering of values. We greatly respect businessmen, for example, if they display those virtues, even if we don't necessarily agree with the people.
What is history? Its beginning is that of the centuries of systematic work devoted to the solution of the enigma of death, so that death itself may eventually be overcome. That is why people write symphonies, and why they discover mathematical infinity and electromagnetic waves.
Death is not the end, but the beginning of a new life. Yes, it is an end of something that is already dead. It is also a crescendo of what we call life, although very few know what life is. They live, but they live in such ignorance that they never encounter their own life. And it is impossible for these people to know their own death, because death is the ultimate experience of this life, and the beginning experience of another. Death is the door between two lives; one is left behind, one is waiting ahead.
If you publish Mahatma Gandhi's autobiography, no one will read it but if it's Madhuri Dixit's or Madhubala's autobiography people will come and read it.
Now death is death! and yet is not one death Another death? Stabbing is not the same As shooting! Would you say a strangled man Was drown'd? The end is one, the means are many, And there the difference lies!
When you rely on incentives, you undermine virtues. Then when you discover that you actually need people who want to do the right thing, those people don't exist because you've crushed anyone's desire to do the right thing with all these incentives.
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
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