A Quote by N. K. Jemisin
Within the sphere of steampunk, there seems to be a rapidly growing subsphere of gadgetless 'neo-Victorian' novels, most of which attempt to recapture the romance of the era without all the sociopolitical ugliness.
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Like steampunk, silkpunk is a blend of science fiction and fantasy. But while steampunk takes its inspiration from the chrome-brass-glass technology aesthetic of the Victorian era, silkpunk draws inspiration from East Asian antiquity.
When I was working on a Victorian-era novel, to get in the mood, I read several historical novels set in approximately the same period and place, and really enjoyed the detective novels of John Dickson Carr.
I love the Victorian era, and I always have, but I had a leg up on the writing because I was familiar with a lot of the science from the Victorian era. And that led to a massive interest in the science of this time of history.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
When a lot of people watch these Victorian-era shows, they're in love with the costumes, the romance, the whole sweep of it all. But there is nothing nostalgic about 'The Knick' at all.
The great crime which the moneyed classes and promoters of industry committed in the palmy Victorian days was the condemning of the workers to ugliness, ugliness, ugliness: meanness and formless and ugly surroundings, ugly ideals, ugly religion, ugly hope, ugly love, ugly clothes, ugly furniture, ugly houses, ugly relationship between workers and employers. The human soul needs actual beauty more than bread.
Romance is very pretty in novels, but the romance of a life is always a melancholy matter. They are most happy who have no story to tell.
Somehow, women's romance novels are not titled He Stopped When I Said "No". They are, though, titled Sweet Savage Love, in which the woman rejects the hand of her gentler lover who saves her from the rapist and marries the man who repeatedly and savagely rapes her. It is this "marry the rapist" theme that not only turned Sweet Savage Love into a best-seller but also into one of women's most enduring romance novels.
Since my romance novels had all been thrillers as well, it wasn't such a leap for me to move into the straight thriller genre. The most difficult part, I think, was being accepted as a thriller writer. Once you've written romance, unfortunately, critics will never stop calling you a 'former romance author.'
Whoever has not arrived at the clear insight that there might be greatness entirely outside his own sphere for which he has no understanding, whoever does not have at least a dim inkling in which area of the human spirit this greatness might be situated: he is within his own sphere either without genius, or he has not educated himself up to the point of the classical attitude.
We naturally assume that our mental structures are universal. But I suppose an outside biologist looking at us would see something very different. He would see that, like other organisms, we have a narrow sphere within which we are very good, but that sphere is very limited. And that, in fact, the very achievements we can have within that sphere are related to lack of achievements in other spheres.
It was but yesterday I thought myself a fragment quivering without rhythm in the sphere of life. Now I know that I am the sphere, and all life in rhythmic fragments moves within me.
It seems to me that the basic plot of all historical novels is a romance swept aside by history.
In our case, we are in the Cenozoic Era, which started at the end of the time of the dinosaurs. We are in the Quaternary Period, which is within the Cenozoic Era. And within the Quaternary, we are in the Holocene Epoch.
A good author, and one who writes carefully, often discovers that the expression of which he has been in search without being able to discover it, and which he has at last found, is that which was the most simple, the most natural, and which seems as if it ought to have presented itself at once, without effort, to the mind.
My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
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