A Quote by N. K. Jemisin

I tend to like writing characters that are not typical heroes. — © N. K. Jemisin
I tend to like writing characters that are not typical heroes.
So the fact that there's someone who's planning what happens to the characters, writing it down, means that the characters always have a fate. And when we think about fate, we tend think of it as the thing we would have if we were literary characters, that is, if there were somebody out there, writing us.
Characters are incredibly important, but I tend to build them around the plot during the outline stage. However, once I'm writing the manuscript, the characters I'm writing dictate how the plot unfolds.
I tend to like writing long stories in comics. I worked on 'Flash,' 'Teen Titans' and 'JSA' for years. I always like diving into characters.
All through college, I was searching for characters that would make me unique and set me apart from the typical ventriloquist with the typical dummy that was the little boy, cheeky hard figure like Charlie McCarthy.
I really like writing heroes who aren't necessarily 'Hollywood handsome.' Personally, I think men who are self-confident, intelligent, and funny are outrageously attractive - and my heroines tend to think that, too!
Characters tend to be either for or against the quest. If they assist it, they are idealized as simply gallant or pure; if they obstruct it, they are characterized as simply villainous or cowardly. Hence every typical character...tends to have his moral opposite confronting him, like black and white pieces in a chess game.
I really like writing heroes who arent necessarily Hollywood handsome. Personally, I think men who are self-confident, intelligent, and funny are outrageously attractive - and my heroines tend to think that, too!
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
There are two kinds of typical days. There's the typical day when I'm writing a novel, and there's the typical day when I'm not.
I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
In terms of people who we call heroes - and I don't tend to like that term, and firefighters don't consider themselves heroes - but if you look at their job description, they are. Their job is to straight up save people.
I tend to write about towns because that's what I remember best. You can put a boundary on the number of characters you insert into a small town. I tend to create a lot of characters, so this is a sort of restraint on the character building I do for a novel.
What people like are things to laugh at. Funny shows. It's all in the execution, the writing and the characters, not the setting. And the writing and the execution and the characters are GREAT on (Everybody Loves Raymond).
I tend to use a lot of movement in both camera and characters, and I also tend to give characters a lot to physically do.
A lot of my characters are anti-heroes that became heroes.
Everyone relates to the heroes - that's why they're the heroes. But I've realized there are just more layers to characters who have been through something dark.
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