A Quote by N. K. Jemisin

A fantasy novel set in something other than medieval Europe, featuring an almost entirely black cast, is considered risky. — © N. K. Jemisin
A fantasy novel set in something other than medieval Europe, featuring an almost entirely black cast, is considered risky.
I love the standard fantasy setting of Medieval England and Medieval Europe, but I wanted to go somewhere different.
So many of the fantasy stories I encountered growing up were set in worlds that were largely modelled on medieval Europe in one way or another. Lots of white folks in feudal societies, castles and kings, that kind of thing.
Working on a green screen set, yeah, it's almost like reading from a novel, taking those black words and creating a world around you.
I'm not constrained by being a genre writer. Any story I can imagine, I can cast as a fantasy novel and probably get it published.
Fantasy has a better chance of lasting than a lot of other things. The Hobbit and the Narnia books, they seem to get handed down father to son, mother to daughter. Because they're set in a fantasy world, they can remain relevant.
Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.
The Lord of the Rings movie set an entirely new standard for fantasy in the movies.
Why is playing football in Europe considered the pinnacle of our game, yet in other spheres of life, that same phrase - 'being in Europe' - is dismissed with suspicion?
I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
Game of Thrones' is a fantasy show not dedicated to any specific time, but it seems to exist in sort of a 1400s medieval fantasy world, and in that setting, I wouldn't have had a six-pack.
'Game of Thrones' is a fantasy show not dedicated to any specific time, but it seems to exist in sort of a 1400s medieval fantasy world, and in that setting, I wouldn't have had a six-pack.
A police procedural novel can be even funnier if the police include Trolls and Dwarves and things like that. You start looking at the whole basis of the cop novel. You get the cop moving in a different way when you've actually set it in a fantasy city.
The best memorizers in the world - who almost all hail from Europe - can memorize a pack of cards in less than a minute. A few have begun to approach the 30-second mark, considered the 'four-minute mile of memory.'
I kept pushing against the black, though, almost a reflex. I wasn't trying to lift it. I was just resisting. Not allowing it to crush me completely. I wasn't Atlas, and the black felt as heavy as a planet; I couldn't shoulder it. All I could do was not be entirely obliterated.
I've never set a book in Europe. I've lived in Europe three times, but somehow or other it wasn't the experience that engaged me in that way.
For the fundamental fact of human psychology is that society, instead of remaining almost entirely inside the individual organism as in the case of animals prompted by their instincts, becomes crystallized almost entirely outside the individuals. In other words, social rules, as Durkheim has so powerfully shown, whether they be linguistic, moral, religious, or legal, etc., cannot be constituted, transmitted or preserved by means of an internal biological heredity, but only through the external pressure exercised by individuals upon each other.
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