A Quote by N. K. Jemisin
There's a thriving field of self-published stuff in, particularly, black fiction. I don't know that other groups of people of color have that same recourse.
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We used to look at each other and say, 'We play the same game with the same rules, the same bat, the same ball, the same field. What the hell does color have to do with it? You don't play with color. You play with talent.'
The cool thing for me is, I go to a lot of conventions - a lot of science fiction conventions like Comic-Con - and there are always a lot of attendants of color. And I think some people believe that black people or people of color are not into science fiction or hero shows or genre shows.
It's a dirty little secret that I'm pretty self-conscious about coloring my own work. I just see so many people who love color more than me that I get freaked out every time I hit Photoshop. Black and white? I know exactly what to do, but color offers a million solutions to problems I don't even know exist.
In some ways, I value specificity. I think that there's power in, once you know who your fan base is, being able to speak to them. I hope to cultivate a fan base of black girls and black people and people of color, women of color, queer people, people who are are marginalized in general.
There's a lot of people in the world who don't believe that people whose skin color may not be the same as ours can be free and self-govern. I reject that. I reject that strongly. I believe that people who practice the Muslim faith can self-govern. I believe that people whose skins aren't necessarily - are a different color than white can self-govern.
From the time I was little, I'd been kind of freaked out by the whole deal with large groups of people. And even moderate - sized groups of people. It's always made me very uncomfortable. It's such a strange phenomenon, what happens to people when they're all moving in the same direction, all chanting the same tune, the same line of slogans or something. That stuff always seems very alien and bizarre to me, and kind of scary.
But when I fell in love with black, it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all.... You can be quiet and it contains the whole thing.
If you force me to pick one color, it'd be Black... It covers up the things inside of me that I don't want to be known. Well, for the same reason, black is the color I hate, too.
Yes, you have people shouting racist abuse and throwing bananas on the field, and there are issues regarding the number of black coaches and managers in the game, but which other industry allows a young black boy the exact same opportunity as a young white boy?
It's been more than a decade since I put that self-published novel, 'Lip Service', up on a website. Since then, many hundreds of authors have gone from self-published to traditionally published.
If you look back at history or you look at any place in the world where religious groups or ethnic groups or racial groups or political groups are killing each other, or families have been feuding for years and years, you can see - because you're not particularly invested in that particular argument - that there will never be peace until somebody softens what is rigid in their heart.
I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
I always crave to see more stories about and by people of color, particularly new work by young black writers.
Black is the absence of all color. White is the presence of all colors. I suppose life must be one or the other. On the whole, though, I think I would prefer color to its absence. But then black does add depth and texture to color. Perhaps certain shades of gray are necessary to a complete palette. Even unrelieved black. Ah, a deep philosophical question. Is black necessary to life, even a happy life? Could we ever be happy if we did not at least occasionally experience misery?
I love secrets. Here's a bunch of people who think they know each other over a long period of time. And they do. And they don't. Secrets aren't the same thing as shame, but they can fall in that category. I'm very interested in the ways that people are open and honest with one another and simultaneously in hiding. What we know about those we love is only part of the story. Who do we protect with our secrets? Others? Ourselves? These are questions that interest me in fiction. The public and the private self.
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