A Quote by N. T. Wright

First-hand acquaintance with the actual texts is always the best way. — © N. T. Wright
First-hand acquaintance with the actual texts is always the best way.
I have not always been painted in the best picture of being the best teammate. But if you ask my actual teammates, not maybe the media and the other people that don't like me, if you ask my actual teammates, they will always say that I've been that guy.
As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.
The first time I came to New York in 1952, I was busy with music. I made the acquaintance at this period with John Cage, and also the acquaintance of Varese for the first time. We were very good friends. He gave me some scores, and we recorded them a little later.
I think that writing texts, publishing texts, selling texts in a physical book store is one of the important tools for breeding this new generation.
I try to look at the texts and say: Is there a way that I can find history in the texts and separate it from what may be the mythological elements, and I don't find any rules for that.
Instead of a dedicated room, my best trigger is the actual habit of reading over the texts from the day before. Marking. Changing. Fussing. This ritual amounts to a habit of trust. Trust that I can make it better. That if I keep trying, I will come closer to something true.
A museum is not a first-hand contact: it is an illustrated lecture. And what one wants is the actual vital touch.
Way back in 2008, when the iPhone was new and Instagram was a gleam in Kevin Systrom's eye, I was involved in creating a service called CrowdFire. It was a way for fans at a festival (the first was Outside Lands) to share photos, tweets, and texts in a location and event specific way.
I spend just as much time on how people hear my music as I do the actual music, no matter how long it takes. I'm such a visual artist as well that it always goes hand-in-hand.
The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn.
This hand is not very active always, because it was in this hand that I carried my books. My carrying hand was always my strongest. Now I think my other hand has developed more muscles from signing all those autographs.
First things first has always been my motto, mostly because it makes absolutely no sense - after all, if first things were second or third, they wouldn't be first things, would they? Still, cliches exist to comfort the feeble minded, not to provide any actual meaning.
You're creating music to pull people into a world, whether it be a visual medium where music is just one element, or a purely musical medium. Either way, you're trying to transport people and to create a connection. I've always felt that the best films and the best albums can be the best company. If people feel a little bit less alone because of something I had a hand in creating than I feel like I'm contributing to the world in a positive way.
Grace works that way. It's a kind word from a gentle person with an impossible prayer. It's a force sometimes transmitted best hand to hand in a dark place.
It is evident that an acquaintance with natural laws means no less than an acquaintance with the mind of God therein expressed.
The gospel is never about everybody else; it is always about you, about me. The gospel is never truth in general; it's always a truth in specific. The gospel is never a commentary on ideas or cultures or conditions; it's always about actual persons, actual pains, actual troubles, actual sin; you, me; who you are and what you've done; who I am and what I've done.
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