A Quote by N. T. Wright

Scripture is, at its heart, the great story that we sing in order not just to learn it with our heads but to become part of it through and through, the story that in turn becomes part of us.
We want to fan the flames of Christians for whom inerrancy and the authority of Scripture are not mere shibboleths, but part of her life beat, part of the beating heart of what makes them tick. They revere Scripture, not because Scripture becomes an idol, but because it discloses God who is especially come after us in salvation and redemption through the person of his son, his cross, his resurrection, the full sweep of the gospel.
What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.
The Christian faith grew through story - not text. Only later did the stories become Scripture. While the Scripture must be held in the highest regard, we must not neglect the power of story.
If you don't turn your life into a story, you just become a part of someone else's story.
Loneliness is the inability to share your story, your Unique Self story. For most people, the move beyond loneliness requires us to share our story with a significant other. For the spiritual elite, the receiving of our own story - and the knowing that it is an integral part of the larger story of All-That-Is - is enough. But for most human beings, loneliness is transcended through contact with another person.
If we wish to know about a man, we ask 'what is his story--his real, inmost story?'--for each of us is a biography, a story. Each of us is a singular narrative, which is constructed, continually, unconsciously, by, through, and in us--through our perceptions, our feelings, our thoughts, our actions; and, not least, our discourse, our spoken narrations. Biologically, physiologically, we are not so different from each other; historically, as narratives--we are each of us unique.
We are trying to communicate that which lies in our deepest heart, which has no words, which can only be hinted at through the means of a story. And somehow, miraculously, a story that comes from deep in my heart calls from a reader that which is deepest in his or her heart, and together from our secret hidden selves we create a story that neither of us could have told alone.
I've been in movement work since I was 16 years old. Black Lives Matter becomes an important part of the story, but it's not the only part of the story.
If I sing "you broke my heart, you left me flat," everyone knows exactly what that means - they know the story. But if I sing a line that's plaintive or wailing, people can experience their own set of emotions and their own story. Each of us might give that phrase a different meaning. It's open to interpretation, and one song becomes a thousand songs. I love that.
I've forgotten what it's like to remember. I've lost the mindless confidence that a moment, an idea, a thought will be there for me later, the bravado of breezing through experience in the certainty that it will become part of my self, part of my story.
Ralph Lauren has always had a story. At first, my father told the story just through his designs. Now we're constantly looking for new ways to tell that story through innovation and technology.
I show them the funny part, the silly part, the laughing part, the crazy part and then the really deep, deep part where I'm talking from my heart to these people. Because I've been through everything they've been through.
As an actor, you tell part of a story. As a writer, you get more of telling that story. But as a director, they're seeing the world through your eyes.
Journalism classes teach us that one must extract oneself from the story in order to report without bias, but often we need to be in the story in order to understand, to connect, to help the audience identify or else it has no heart; it could be a robot telling the story, for all anyone cares.
What we learn through failure becomes a precious part of us, strengthening us in everything we do. So let the tough things make you tougher.
We live in story like a fish lives in water. We swim through words and images siphoning story through our minds the way a fish siphons water through its gills. We cannot think without language, we cannot process experience without story.
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